Made for the NSPCC by the noted film director John Krish, They Took Us To The Sea follows a group of children taken by Inspectors of the NSPCC on an outing from Birmingham to Weston-Super Mare.
This short documentary features Canadian contralto Maureen Forrester as she sings at the Festival Casals, a musical event founded by the great Spanish cellist and conductor Pablo Casals and sponsored annually by the Puerto Rican government. Part concert film, part tourism film, Festival in Puerto Rico offers viewers candid glimpses of mid-20th century Puerto Rico intercut with performance footage of Forrester and her husband, violinist-conductor Eugene Kash.
My Louisiana Love follows a young Native American woman, Monique Verdin, as she returns to Southeast Louisiana to reunite with her Houma Indian family. But soon she sees that her people’s traditional way of life- fishing, trapping, and hunting these fragile wetlands– is threatened by a cycle of man-made environmental crises. As Louisiana is devastated by Hurricane Katrina and Rita and then the BP oil leak, Monique finds herself turning to environmental activism. She documents her family’s struggle to stay close to the land despite the cycle of disasters and the rapidly disappearing coastline. The film looks at the complex and uneven relationship between the oil industry and the indigenous community of the Mississippi Delta. In this intimate documentary portrait, Monique must overcome the loss of her house, her father, and her partner – and redefine the meaning of home. Her story is both unique and frighteningly familiar.
The Bumidom (Office for DOM Migration, Bureau des migrations des départements d'Outre-mer) was founded in 1963 by Michel Debré, following a state visit in Réunion with General Charles de Gaulle. Millions of people were sent to Paris and to the French back-country, a one-way trip which, according to Aimé Césaire, was close to deportation. The living conditions in the mainland were far different from what had been promised beforehand. Jackie Bastide gives a voice to those who have lived through the Bumidom and had to suffer from a migration that was meant to be the road to a better life.
Gianni Versace’s life story reads like a classic Greek tragedy: from the poor south of Italy, he worked himself up to the most powerful and most desired fashion designer in the world, but was eventually shot dead on the steps of his Miami villa by his secret lover. In his more than decadent lifestyle, Versace preferably surrounded himself with the most garish stars on earth: Madonna, Michael Jackson, Sylvester Stallone, Elton John, Princess Diana - guests whom he liked to show off in his palazzos stuffed with Renaissance antiques. At the same time, he led a double life full of shady connections with the Mafia and gigolos specialising in sadomasochism. According to the makers of this documentary, Versace’s death was the ultimate celebrity killing in a media age obsessed with fame.
Kurt Wans(z)ki has spent his life in psychatric clinics. He is diagnosed as: retarded to the level of early childhood, incapable of learning. Free from all pressure he has constructed a world of himself in the clinic. A survivor, musican and painter in the streets of East-Berlin. The Film questions the conventional concepts of „normaly“.
Portrait of the "battle phenomenon" in the Hip-Hop scene in France. In recent years, these artistic confrontations have been multiplying across France, encompassing dance, DJing, and even graffiti. However, what has been drawing crowds recently is the "MC Clash."
Part 2 picks up where the original film left off, with the program trying to recover from the devastation left by NCAA sanctions and scandals that had some calling for the school to drop football. The Hurricanes rose from those ashes to win another national championship, only to face new controversies when a booster used a Ponzi scheme to win favor with the program.
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