Superstitions are examined in the context of mid-20th century America. Walking under ladders, spilt salt, stepping on cracks, haunted houses, voodoo dolls, and such are used to illustrate the widespread belief in the supernatural.
Visionary composer and performer Meredith Monk overcame hostile critics to become one of the great artists of her time. In her seventh decade of creativity, she ponders how such singular work can continue without her.
A documentary on how American films are made well at the renowned Studio Koliba, Slovakia and also the harsh and cruel view of why films do not go well in SR.
Documentary with fragments and records about the boundaries between art and counterculture, based on a debate held at the Museum of Modern Art, Rio de Janeiro, in October 1968.
Gothenburg Film Festival's new honorary chairman Roy Andersson talks about the adversities after the film "Giliap", revealing that he does not always think it's so much fun. A backlash can instead be a boost for creativity.
Yesterday, the inhabitants of the Nordeste had to abandon their land for lack of water. Today, floods are driving them out... Deprived of their roots, the people continue to remain faithful to their traditions and beliefs, while progress is imposed by the power of money.
Sentiment is Tomáš Hejtmánek's intimate documentary portrait of the great Czech director František Vláčil. The film was inspired by encounters with the filmmaker and told through taped interviews, reconstructions of meetings with Vláčil, visits to actual film locations (of Marketa Lazarova, The Valley of the Bees and Adelheid) and Vláčil-inspired film sequences. The result is one of the most unique and personal portraits of any artist – a collage of voices, sounds and images that evoke and celebrate Vláčil’s life and work.
Speak White is a French language poem composed by Québécois writer Michèle Lalonde in 1968. It was first recited in 1970 and was published in 1974 by Editions de l'Hexagone, Montreal. It denounced the poor situation of French-speakers in Quebec and takes the tone of a collective complaint against English-speaking Quebecers. In 1980, Speak White was made into a short motion picture by polemicists Pierre Falardeau and Julien Poulin, the six-minute film featured actress Marie Eykel reading Lalonde's poem. It was released by the National Film Board of Canada.
A scene from Charles Hoyt's 'A Milk White Flag': A brass band marches out, led by bandmaster Steele Ayers. When Ayers reaches his position, he turns around and directs the musicians as they take up their own positions.
Danny Trejo, you know the man. He has fierce tattoos, and frequently plays a thug in your favorite movies. Behind the ink and the wicked characters he plays on screen lies the story of a troubled childhood which included drug addiction, armed robbery and extensive prison time. Champion offers an intimate, one of a kind view into the life of Danny Trejo before he turned himself around and after.
Tommy Seebach Mortensen; or just Tommy Seebach to the whole nation; were born in Copenhagen in 1949 and passed away far too early in 2003. "Tommy" received four stars out of six by Politiken,[6] Berlingske Tidende[7] and Ekstra Bladet;[8] B.T. awarded it six stars out of six.[9] Dagbladet Information described it as "... a story of an artist who became a victim of the musical genre which he himself had helped innovate, and who, instead of gaining the broad recognition he had longed for his entire life, ended up with a status somewhere in between national heritage and kitsch clown..."[10] Politiken called the film "worthy, worth seeing and moving", Ekstra Bladet "a moving portrait of a man caught between the music, his family and the bottle".
In April 2019, Extinction Rebellion blocks strategic traffic points in London for days, leading to the arrest of hundreds of nonviolent protesters. Rebellion works, responds international climate lawyer Farhana Yamin, seeming almost surprised when the government agrees to their demand to declare a climate emergency.
Ashes and Snow, a film by Gregory Colbert, uses both still and movie cameras to explore extraordinary interactions between humans and animals. The 60-minute feature is a poetic narrative rather than a documentary. It aims to lift the natural and artificial barriers between humans and other species, dissolving the distance that exists between them.
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