This pseudo diary film is made of found materials from an unfinished 16mm film. Potenciais à Deriva is a film started by a Brazilian artist under a pseudonym while living in exile in Los Angeles, California. Isolated shots and previously assembled scenes reveal an intention to create a mysterious film comprised of disembodied interviews, empty rooms, radio recordings, soccer games, and sudden apparitions of the filmmaker that slowly ruminates on Brazil's colonial past, North American Imperialism and the military dictatorship of the time in a paranoid and anxious manner. Be aware that the film's final version never came to exist. This version presented is my mere attempt to produce a film with these otherwise lost images.
The film restores the panorama of the centuries. Journalistic narration with extensive use of artistic reconstructions, computer graphics, animation shows that the business tradition in the region was not interrupted. She manifests herself in different ways in different eras. A key trick used by different types of screen technologies is animation. Monuments to great people, buildings, industrial structures, landscapes of the Volga and Oka, film and photo chronicles are transformed, change in time and space, acquire a different dimension in order to somehow interact with the present, enter into a dialogue with descendants.
In 1970, during the annual Dutch national commemoration of those fallen in World War II, two men try to make a statement against gay discrimination. In the moments before and after the incident, their doubt, fear and firm belief becomes clear.
A documentary that takes a broad overview of the life of the dictator, which is a review of the history of the twentieth century so far. Thus, the main events of the century are analyzed through the experience of Franco, who starred in many of them in this historic document which brings together, among others, Alfonso XIII, Mussolini, Lenin, Primo de Rivera, Azaña or Roosevelt.
The plot is based on the story of the complex relationship between Peter Schmidt and Zinaida Rizberg, with whom he corresponded after a chance meeting on the train.
Set in Manipur, a conflict region on the remote India- Burma border, this film journeys across a century to paint a portrait of a cinema and its citizens. The encounters - real, fake and surreal, are not for the fainthearted but there is good food and chatter on the go.
Renzo and Lucia's love story is jeopardized by Don Rodrigo, a wicked nobleman, who is interested in Lucia. When she refuses his attentions he has her kidnapped and brought to a convent whose prioress is a nun as wicked as he is. The two youths will have to go through a lot of misfortunes before being reunited and being able to marry.
A Mamluk Sultan wants to wed his niece, Princess Najma, to his heir Antar, but the princess refuses so the Sultan forces her to marry the young prisoner, Hilal. When a terrorist plot to kill Prince Antar fails, the terrorists decide to use Hilal to get to Antar.
In August of 1949, Life Magazine ran a banner headline that begged the question: "Jackson Pollock: Is he the greatest living painter in the United States?" The film is a look back into the life of an extraordinary man, a man who has fittingly been called "an artist dedicated to concealment, a celebrity who nobody knew." As he struggled with self-doubt, engaging in a lonely tug-of-war between needing to express himself and wanting to shut the world out, Pollock began a downward spiral.
After an astrologer has foretold him he will die at an early age if he does not avoid a romantic entanglement, Alessandro Stradella, a well-known composer decides to leave Rome for the North of Italy. Written by Guy Bellinger
A story of love and honor that takes place during the mid-nineteenth century during revolutions, as well as economic, political, and social hypocrisy. Two extraordinary but lonely artists share a passionate love, as evidenced by the preserved letters that they exchanged.
On 23 August 1939, the world was shocked to discover that Hitler and Stalin, the most intractable of their enemies at the time, had signed a pact that allowed them to divide Poland between them and gave the Nazi leader complete freedom to concentrate his forces in the West, against France and the United Kingdom. Through this agreement, Europe was to be thrown into war. For a long time, the relationship between Hitler and Stalin was ignored: their mutual fascination, their moves to get closer, the marks of confidence they exchanged and all the benefits they derived from the German-Soviet pact, before resuming their war to the death in June 41 with the "Barbarossa" operation.
This film, in two parts, is considered a cultural work admirably embodied by Alice Sapritch. The TV movie focuses on the period of the late 16th century in France, ravaged by religious wars, and highlights the efforts of Catherine de Medici to defend the throne of her sons and maintain the unity of the kingdom. The role of Catherine de Medici in this TV movie is an interpretation that gives more humanity to this historical figure often presented in a negative light in history.
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