Historian James Bulgin reveals the origins of the Holocaust in the German invasion of the Soviet Union, exploring the mass murder, collaboration and experimentation that led to the Final Solution.
The Somme (also: The Tomb of the Millions) is the title of a silent documentary drama that Heinz Paul realized in 1930 for the Cando-Film Berlin based on his own script. Paul supplemented scenes with German actors with documentary footage from archive material of German, French and English origin. - Twelve years after the end of the First World War, Heinz Paul records the battle of the Somme in 1916 with original recordings, with over one million dead, the most lossy battle of the war. The archive images are supplemented by game scenes of a German mother who loses her three sons and by trailing front scenes. The Battle of the Somme, in which Allied troops bombarded the German front line, resulted in a months-long war of position. In documentary style, the film shows scenes of the most devastating battle of the First World War. It is narrated from the perspective of a mother who loses her three sons in battle.
The Red Army breaks through the three defense lines by the Kuomintang and approaches the Xiangjiang River with the correct judgment and command by Mao Zedong,
Frederic, after having announced sadly and wistfully at Catherine, goes to war.He's wounded in the war, so he has to go to the hospital where Catherine, as a nurse, can heal him.
Marlin (Joe Wilcox) and his slightly crazy but loving wife Elvira (Lauren Campbell) are having money troubles in the 1940’s. Marlin seems to have caught his lucky break when a powerful person in the war is interested in him making a propaganda movie for him. Unfortunately the couple may have bitten off more than they could chew.
Antonina Vasilyevna, as a member of the bureau of the district committee of the party, was instructed to save the Leningrad children, whom the war overtook in the suburban camps. She took them to the Kirov region. After twelve days of hard travel, the children arrived in the village of Supryadki...
In a semi-post-apocalyptic world, chaos reigns after the sudden and mysterious death of the president, leaving the nation in shambles. Military factions, once unified, splinter into rogue groups, each pursuing their own agendas in the absence of leadership. Society collapses into pure lawlessness as civilians are forced to fend for themselves, grappling with food shortages, territorial disputes, and the looming threat of violence. Urban areas become battlegrounds of desperation, where survival hinges on cunning and strength, and trust is a dangerous gamble. This gritty, high-stakes setting explores a world where the balance of power has disintegrated, leaving behind fractured alliances and a population struggling to navigate the moral ambiguities of survival. Themes of betrayal, conspiracy, and the fight for purpose in a broken system drive the tension, as individuals confront the harsh reality of what humanity becomes when order dissolves into chaos.
The story of how Australia's 'ANZAC myth' was born and the role of General John Monash in this process as soldier and statesman both during and after WW1.
It is World War II, and the Nazis have taken over Poland. In this story, three citified children of Resistance fighters have taken refuge in the mountains, and they manage to hook up with three local youngsters. All six of them are being hunted by the Germans, and they are also being looked for by an adult who wants to take them to greater safety. Along the way, the children occasionally put on spontaneous theatricals.
Set in Florida at the close of 1941, this film noir follows small-town police chief John Haleran's investigation of the murder of a young Japanese girl, a case that leads to a top secret government conspiracy. With the help of retired cop Taylor, Haleran discovers a connection between the victim and an imminent Japanese attack.
The film takes place in Uzbekistan during the Great Patriotic War. Pulat and Bahor love each other, but the happiness of the heroes is prevented by a rich friend of the parents of a girl who sees her as her future wife.
The film exposes the atrocities of war through the eyes of two children who are stranded in the DMZ after the end of the Korean War. The DMZ, strewn with abandoned tanks, dead bodies, land mines, and unexploded shells, is an exceedingly dangerous place for children. But what most endangers them in the end are not weapons but people.
Georgia, 1864. The Tsarist regime is using Cossacks to forcibly resettle Muslim Georgians to Turkey in order to steal their land. Meanwhile a Muslim girl falls in love with a Christian from the next village.
After tragedy strikes a bustling London neighbourhood, disarray ensues, and our hero becomes lost to their pain. A cherub-like spectre soon appears, embodying the change the community desperately craves. All bear witness as winds of hope and unity take shape and the seeds are sown for their growth out of grief
It was a time with a rise of artistic life in the former capital of Russia. But the rise ended quickly and tragically with arrests and executions. Modern St. Petersburg and Petrograd of 1921 strangely and intricately intertwine in the mind of the director. The cruel, bloody, but romantic world of the first years of the Revolution converge with the artistic and domestic life of contemporary filmmaking on the same ground, on the same streets and squares.
Comedian and history buff Al Murray is joined by historian Dan Snow, writer Natalie Haynes and broadcaster and film expert Matthew Sweet for a fresh look at a subject very close to his heart - the great British war movie. This roundtable discussion looks at both the films themselves, from A Bridge too Far to Zulu, and uses them as a lens on British history, cultural attitudes and our changing views on conflict over the decades.
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