A group of colleagues begins the traditional “Secret Santa” game. That simple gesture sets off an emotional journey through Montevideo, highlighting different corners of the city while celebrating the value of gathering, friendship, and the small traditions that bring people together. The short film emphasizes that what truly matters isn’t the gift, but the chance to be together again.
With his soaring falsetto and magnetic yet understated stage presence, Jimmy Somerville burst onto the 1980s new wave scene, making the world dance to songs rooted in struggle and resilience. From the harsh realities of Glasgow’s working-class neighborhoods to the challenges of growing up gay in a hostile world, and the devastating impact of the AIDS crisis, Somerville transformed pain into anthems of freedom. First with Bronski Beat, then The Communards, and later as a solo artist, he became both rebel and diva—the unmistakable voice of a generation fighting for equality. Through intimate stories from those who have stood by him for four decades, this portrait reveals a rare artist who has never wavered in his convictions.
A fresh out of university film graduate decides he is fed up with the current state of cinema, with big releases only ever being franchise films or reboots. A documentary crew follows him as he sets out to create the greatest film of all time.
The story of two people going through crises coincides with the reality of the last sanatorium of its kind. For over 100 years, people have come to this place in the hope of being cured. So do Nina and Henri, both in mid-life, burnt out, and from different backgrounds. Their paths cross between the dining room and therapy, at a time when they are struggling to find their inner peace. Then the place is snowed in and everything becomes slow and quiet. The ghosts and stories from the long corridors become their companions. While the two read each other the riot act and try to forget their loneliness, a historian digs through the house archives for documents from the early days of the sanatorium. She researches the sanatorium as a focal point of the modern history of exhaustion and traces a narrative from neurasthenia to the inner restlessness of the present for her dissertation. The house becomes a setting for an archaeology of exhaustion.
During the "Día de Muertos" celebration in Tetela de Ocampo, Puebla, the locals share their traditions and reflections on life and death, while the Zamitiz brothers recount how the loss of their parents gave them a unique understanding of memory, mourning, and life itself.
Marta has been living in solitude since she restarted her life in another city. When her sister and an old flame return, the silence gives way to reunions marked by hurt, memories, and the longing for reconnection. Between what once was and what might still be, the affection between two women tries to blossom once again.
Around the tub, people washed, rested, had fun, made love, and committed suicide. While one group used the tub, the other group were machines, enslaved to fill it.
A group of university student filmmakers interview three St Andrews business owners, Pat Dodds, Bill Anderson, and Kirstin Uhlenbrock, uncovering their life stories, their social relationship to the town and the loss of small town businesses.
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