In the midst of the most horrid stagnation era in the Soviet Union – at the end of October 1982 – the Monk (Ivo Uukkivi), Allan Vainola, Peep Männil, and Villu Tamme gather for band practice in a room above the garage of a private house in Pääsküla and form one of the most (politically) heavyweight punk bands in history – Velikiye Luki. For the 60th jubilee of the Soviet Union, Ivo and Villu bake a voodoo ginger cookie and while they gobble it down, they demonstratively establish their programme of action: to destroy the Soviet Union.
16-year-old Abigail's pregnancy scare gives her a new perspective on the 'Virgin Mary' despite the anger and disillusionment she has for the Catholic Church.
"Trànsit" is a journey through a city that never lets us stay. Between the noise of the subway and the silence of empty streets, the short film captures the feeling of not belonging to any neighborhood, of living always in transit.
Tenacious high school wrestler Alex battles with the grief of her father’s passing and the hostility of her teammates as she fiercely competes for a varsity spot on an all-male wrestling team.
A group of colleagues begins the traditional “Secret Santa” game. That simple gesture sets off an emotional journey through Montevideo, highlighting different corners of the city while celebrating the value of gathering, friendship, and the small traditions that bring people together. The short film emphasizes that what truly matters isn’t the gift, but the chance to be together again.
Who am I? What is real? How to live in the madness of the world? These are questions posed by six people who have had psychosis and speak openly about their experience. They have in common that they think deeply, and that at particular moments in their lives, they were under intense personal and social pressure.
The life of a football coach is one spent constantly searching for a better pathway. That's why they spend such a significant percentage of their lives sitting in dark rooms, watching the same play over and over again. Searching for an opening. Scanning their opponents for even the tiniest cracks or tells. A constant, never-ending pursuit of anything and everything that will aid their ultimate goal of forward progress.
As summer turns into fall and fall turns to winter, two people with an unresolved connection quietly debate whether to reach out or move on, before winter turns to spring.
Javier is struggling to live alone in New York during the pandemic. He misses his parents, who live in Argentina, and tries to reconnect with an old friend. However, his old addictions resurface, complicating his attempts to reconnect with his Argentine culture, his parents, and his old friends.
On the morning of October 30, 1995, tension was palpable throughout Quebec. On this Referendum Day, 15 years after René Lévesque chanted "À la prochaine fois!", would the people of Quebec say yes or no to their independence?
In the Chinese village of Dafen, you can find anything and everything: a Gerhard Richter starts at 30 euros, a small Van Gogh costs 45 euros, his Sunflowers in medium size goes for 100. Monet’s Water Lilies is 120, Rembrandt’s self-portraits are 150, and for the smile of the Mona Lisa, you have to shell out around 200 because it’s supposedly not so easy for Chinese painters to copy. The output of this forgery is gigantic: over 10 million paintings are produced here each year. Thousands of painters work day and night in cramped spaces, painting the works of the great masters, which are primarily sold in bulk orders to Europe and America. Dafen’s industrious residents live from, with, and despite the great art—children grow up between Klimt’s The Kiss and Munch’s The Scream, families sleep under Van Gogh’s The Starry Night, watched over by Vermeer’s Girl with a Pearl Earring.
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