The Colombian Montes de María are home to the emechiche (Saguinus oedipus). An endangered species, we will observe their complex relationship with their young and their environment. We will analyse their survival, allowing us to witness their feelings and wild instincts.
Around the year 2000 AD, it was reported in the news that about two million cotton pickers rush to the vast land of Xinjiang every year, just like migratory birds, arriving in September and leaving in November. With curiosity, I also joined this "migratory bird" team and headed straight to the Xinjiang farm thousands of miles away. The train was very crowded, and among the cotton pickers who were mostly female workers, the vast and beautiful Xinjiang surprised these "migratory birds" for the first time. The hardships and joy in Xinjiang's cotton fields were also their first experiences. This film is the memory of me joining the migratory bird team as a cotton picker.
Liz and Devante run into each other at a house party in San Francisco. There's an instant attraction. As they explore San Francisco, they begin to fall in love with each other and city.
Art is an act of freedom. In this movie, the children express their ideas, their views on the world we live in and reveal their artistic sensibility in a succession of moving pictures.
A long-standing friendship faces tension over gender identity, but everything shifts when one friend receives life-changing news, transforming their bond and perspectives forever.
Combining interviews and live cinema, Rising Through the Fray plunges us into the heart of Indigenous Rising Roller Derby, the first international team to bring together Indigenous players from several countries. For Sour Cherry, Krispy, Hawaiian Blaze, and their teammates, the sport becomes much more than a competition. Through it, they find a space for sisterhood, resilience, acceptance, and healing. On camera, they share intimate stories not only of being uprooted and the wounds of intergenerational trauma, but also of reconnecting with their culture and of the relief of finding a community. In this powerful, feminist documentary, these women assert their right to exist on their own terms.
BUNKER TIME! is a nuclear nightmare years in the making: In the early 60s - the height of the Cold War - TV personality 'Auntie Pearle' wrote, directed and starred in a public-access show that aimed to prepare children for the nuclear apocalypse. Deemed too disturbing to air, the show was buried for years; only now, in even MORE disturbing times, is Bunker Time! fit to be unleashed on the public.
A child dozes off on the bus and gets off at a strange countryside stop. With no clear destination, he begins walking down a rural road - everything feels unfamiliar, a little frightening.
Nergis goes to another city just to get away from everything she wants to get away from, but unfortunately takes all the feelings she wants to get away from with her.
A top secret Alaskan lab goes dark due to an unexplained incident, prompting the military to send a black ops team to recover sensitive data and destroy the lab, only to find their ranks infected with a deadly alien virus.
Here is a girl who keeps running - fleeing, being chased. What is she running from, and what is it that pursues her? Where will her journey finally lead her to?
Set in a dystopic America, married couple Adam & Steve run from Project 2025 and battle crazy Christian Nationalists, only to realize that their gay love might just save mankind's soul.
Within four walls, a daughter faces her greatest fear as she tries to get her mentally ill mother to attend a rehabilitation committee that will determine her disability status.
The Silver Curtain is an experimental 16mm film that examines photography through the perspective of a film lab technician, reflecting on the material and psychological act of memory preservation. Set against the legacy of Kodak in Naarm/Melbourne, the film explores the tension between remembering and forgetting, and the ecological costs of image-making. What is lost in the pursuit of memory, and what must the Earth surrender so we can remember?
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