After surviving the collapse that took the love of his life, Kairo discovers a rift in time: the chance to go back a few seconds before the disaster. Will he be able to recover what he lost without getting lost in the past?
Wailing Stones follows Roy, a university student who becomes haunted after a disturbing encounter deep in the forest. As he tries to return to normal life, the experience begins to unravel him.
María finds a letter from her recently deceased grandfather in which he recounts that he was imprisoned in a Francoist concentration camp in the province of Córdoba, in his village: Los Blázquez. She was unaware of the existence of the concentration camp and decides to investigate the matter.
La Tunga Tunga is a murga that is committed to a creative, collaborative, and community-based process, organizing itself to take part in Carnival with the aim of giving voice to collective grievances. In 2025, the national and local government are questioning cultural practices and artistic collectives. In this context, they are defunding culture and, in particular, the neighborhood carnival parades (corsos). La Tunga Tunga resists through humor and dance, asserting celebration as a right and public spaces as territories of struggle.
The film observes the time when robotics and artificial intelligence are becoming an integral part of everyday life in Latvia. It follows a society that – simultaneously curious and skeptical – learns to live with technologies that are inevitably becoming an integral part of everyday life in schools, shops, work and leisure, even in church. Without interfering, just being present and observing, the film captures everyday and often comical moments: how students get acquainted with a telecommunications robot, how an automatic holy water dispenser welcomes believers in church, and elsewhere someone learns to drive a car in virtual reality.
Idak-Idak-Idak is a hybrid-documentary relating the stolen Lombok Treasures with the Sasak diaspora through three generations of women: a daughter, her mother, and her grandmother. Blending full-spectrum cinematography with personal footage, this film moves between Indonesia and the Netherlands to examine colonial legacies, displacement and healing the heart of home. In Sasak, "Idak" can be interpreted as both “heart” and “absence”, becoming a container for memory, loss, and the unseen layers of the self between generations.
A photographer is on a remote island to capture some stock footage. Behind the camera he has several interactions with the locals that leads him to reflect on himself.
Told through beautifully restored original colour home movies and personal letters, this documentary offers a rare glimpse into life in Northern Ireland during World War II. Helen Ramsey Turtle was a young American mother living on an island outside Belfast. Her letters home to America reveal the horror of the Belfast Blitz, the buzz of American GIs arriving and her own deeply personal story of resilience and optimism in the face of an unexpected diagnosis.
West Point Rugby's 2023 season after their National Championship win, exploring the team's distinctive culture while offering insight into both rugby and military academy life.
In the documentary ‘Het Laatste Fluitsignaal’ supporters are closely followed during the historic last match ever at the Cambuurplein. The result is a football film without football, but with a personal story full of experience, a laugh, a curse and a tear. Documentary maker Ivo Kraan, a Cambuur supporter himself, wanted to capture the unique atmosphere and emotions of the last match in the old stadium with ‘Het Laatste Fluitsignaal’. For him, the old Cambuur Stadium, in the middle of the residential area, is a place full of magic and solidarity. “Every two weeks, the most diverse characters come together in the stands, all with one shared passion: Cambuur.”
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