Surveillance expert Harry Caul is hired by a mysterious client's brusque aide to tail a young couple. Tracking the pair through San Francisco's Union Square, Caul and his associate Stan manage to record a cryptic conversation between them. Tormented by memories of a previous case that ended badly, Caul becomes obsessed with the resulting tape, trying to determine if the couple is in danger.
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Art | Doug von Koss | Set Decoration |
Directing | Francis Ford Coppola | Director |
Sound | Walter Murch | Sound Designer |
Production | Jennifer Shull | Casting |
Sound | David Shire | Original Music Composer |
Crew | Buddy Joe Hooker | Stunts |
Production | Clark L. Paylow | Production Manager |
Art | Dean Tavoularis | Production Design |
Production | Francis Ford Coppola | Producer |
Visual Effects | Ted Moehnke | Creature Design |
Editing | Richard Chew | Editor |
Costume & Make-Up | Aggie Guerard Rodgers | Costume Design |
Camera | Bill Butler | Director of Photography |
Camera | Haskell Wexler | Director of Photography |
Sound | Howard Beals | Sound Effects Editor |
Sound | Nathan Boxer | Sound Recordist |
Production | Mona Skager | Associate Producer |
Production | Fred Roos | Co-Producer |
Sound | Pete Horner | Sound Editor |
Sound | Art Rochester | Sound Recordist |
Sound | Michael Evje | Sound Recordist |
Directing | Charles Myers | Assistant Director |
Camera | Ralph Gerling | Camera Operator |
Production | Alex Tavoularis | Location Coordinator |
Directing | Nancy Hopton | Script Supervisor |
Editing | Julie Zale | Assistant Editor |
Sound | Walter Murch | Sound Re-Recording Mixer |
Lighting | Joe Dunnigan | Gaffer |
Art | Ted Moehnke | Property Master |
Camera | James Glennon | Assistant Camera |
Camera | Thomas Laughridge | Camera Operator |
Lighting | Doug Finn | Gaffer |
Camera | Keith Mason | Key Grip |
Crew | Mona Houghton | Administrative Assistant |
Art | Wayne Fitzgerald | Title Designer |
Writing | Francis Ford Coppola | Writer |
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