In the year 2035, convict James Cole reluctantly volunteers to be sent back in time to discover the origin of a deadly virus that wiped out nearly all of the earth's population and forced the survivors into underground communities. But when Cole is mistakenly sent to 1990 instead of 1996, he's arrested and locked up in a mental hospital. There he meets psychiatrist Dr. Kathryn Railly, and patient Jeffrey Goines, the son of a famous virus expert, who may hold the key to the mysterious rogue group, the Army of the 12 Monkeys, thought to be responsible for unleashing the killer disease.
Unfortunately the movie Twelve Monkeys is not yet available on Netflix. Follow us on Facebook to see when Twelve Monkeys becomes available on Netflix!
| Sound | Paul Buckmaster | Original Music Composer |
| Art | Crispian Sallis | Set Decoration |
| Production | Charles Roven | Producer |
| Production | Robert Cavallo | Executive Producer |
| Camera | Roger Pratt | Director of Photography |
| Art | Jeffrey Beecroft | Production Design |
| Production | Margery Simkin | Casting |
| Writing | David Webb Peoples | Screenplay |
| Production | Gary Levinsohn | Executive Producer |
| Writing | Janet Peoples | Screenplay |
| Editing | Mick Audsley | Editor |
| Directing | Terry Gilliam | Director |
| Art | William Ladd Skinner | Art Direction |
| Sound | Imogen Pollard | Sound Editor |
| Costume & Make-Up | Julie Weiss | Costume Design |
| Production | Robert Kosberg | Executive Producer |
| Camera | William Jones | Grip |
| Production | Mike Lemon | Local Casting |
| Production | Lloyd Phillips | Co-Producer |
| Production | Mark Egerton | Associate Producer |
| Production | Kelley Smith-Wait | Associate Producer |
| Art | James Kelley | Set Dresser |
| Art | Carl Catanese | Leadman |
| Costume & Make-Up | William A. Kohout | Hairstylist |
| Art | Steven Lane Ewing | Construction Coordinator |
| Costume & Make-Up | Christine Beveridge | Hair Designer |
| Costume & Make-Up | Christina Bartolucci | Hairstylist |
| Art | Tim Galvin | Assistant Art Director |
| Crew | Glen Foster | Carpenter |
| Costume & Make-Up | Allen Weisinger | Makeup Artist |
| Art | John D. Kretschmer | Leadman |
| Crew | James Healy | Special Effects |
| Crew | Paul Kocar | Special Effects |
| Crew | Elliot Santiago | Stunts |
| Crew | Gary Pugh | Carpenter |
| Sound | Peter Joly | Supervising Sound Editor |
| Sound | Randy Smith | Boom Operator |
| Sound | Jack Stew | Foley |
| Crew | Paul Couch | Stunts |
| Crew | David S. Lomax | Stunts |
| Art | Paul A. Minitello | Painter |
| Camera | Rhett Bloomquist | Grip |
| Art | Robert LaPrell | Assistant Art Director |
| Art | Wayne Smith | Standby Painter |
| Crew | Brian Smyj | Stunts |
| Lighting | Andrew Reed Conner | Electrician |
| Crew | Paul Maiello | Carpenter |
| Crew | Shirley Montefusco | Special Effects Coordinator |
| Visual Effects | Martin Body | Digital Compositors |
| Crew | Thomas Greco | Loader |
| Crew | Glynn Williams | Post Production Assistant |
| Production | Scott Elias | Location Manager |
| Art | Kevin Ishioka | Assistant Art Director |
| Crew | Lê Hoàng | Carpenter |
| Crew | Ronald O. Jaynes | Stunts |
| Crew | Chuck Jeffreys | Stunts |
| Crew | Mark Kendig | Carpenter |
| Crew | Scott T. Pina | Carpenter |
| Crew | Thomas Lockey | Special Effects |
| Visual Effects | Doug Forrest | Digital Compositors |
| Crew | Bill Anagnos | Stunts |
| Crew | Russell Hurlburt | Special Effects |
| Crew | Beecher Tomlinson | Special Effects |
| Visual Effects | Kent Houston | Visual Effects Supervisor |
| Crew | Steve Martin | Stunts |
| Crew | Wesley Goodwin | Carpenter |
| Art | Lara Kelly | Art Department Coordinator |
| Visual Effects | Anthony Simonaitis | Special Effects Supervisor |
| Crew | G.A. Aguilar | Stunts |
| Lighting | David Cecil | Electrician |
| Crew | Rick Gamez | Propmaker |
| Crew | David Acord | Special Effects |
| Crew | Joseph P. Mercurio | Special Effects |
| Visual Effects | Steve Cutmore | Digital Compositors |
| Crew | Steve Martin | Stunt Coordinator |
| Lighting | Bill Fiedler | Electrician |
| Sound | Jason Swanscott | Foley |
| Crew | Russell Hardee | Special Effects |
| Visual Effects | Richard Bain | Digital Compositors |
| Visual Effects | Chris Panton | Digital Compositors |
| Crew | Douglas Crosby | Stunts |
| Crew | Steve Santosusso | Stunts |
| Camera | Phillip V. Caruso | Still Photographer |
| Crew | Ted Lubonovich II | Carpenter |
| Art | Larry Misselhorn | Greensman |
| Visual Effects | Susi Roper | Visual Effects Coordinator |
| Crew | Sandy Alexander | Stunts |
| Crew | John Copeman | Stunts |
| Crew | E.J. Evans | Stunts |
| Camera | Vinnie Gerardo | First Assistant Camera |
| Camera | Lee Shapira | Grip |
| Editing | Brian Ufberg | First Assistant Editor |
| Camera | Kyle Rudolph | Camera Operator |
| Crew | Elena Moscatt | Craft Service |
| Lighting | Keith Salkowski | Electrician |
| Production | Matilde Valera | Production Accountant |
| Camera | Craig Haagensen | Camera Operator |
| Production | Mikie Heilbrun | Casting Associate |
| Editing | Eddie Wilder | Color Timer |
| Directing | Marilyn Bailey | Script Supervisor |
| Lighting | Mike Finnegan | Rigging Grip |
| Camera | Blackford 'Boots' Shelton | First Assistant Camera |
| Crew | Pamela Susan Hall | Post Production Assistant |
| Crew | Dennis Davidson | Public Relations |
| Art | Charley Armstrong | Location Scout |
| Crew | Marc Diener | Legal Services |
| Lighting | Craig Ligget | Rigging Gaffer |
| Costume & Make-Up | Eric H. Sandberg | Costume Supervisor |
| Costume & Make-Up | B.J. Rogers | Assistant Costume Designer |
| Crew | Reva Grantham | Craft Service |
| Camera | Brian Snell | Grip |
| Crew | Avi Korein | Security |
| Lighting | Matt Miller | Rigging Grip |
| Camera | Peter Norman | Camera Operator |
| Editing | Dan Gane | First Assistant Editor |
| Crew | Ted Criswell | Set Medic |
| Crew | Ernie Malik | Unit Publicist |
| Crew | Ian Kelly | Video Assist Operator |
| Crew | Warren Holcomb | Legal Services |
| Production | Elizabeth J. Nevin | Production Coordinator |
| Art | Matt Codd | Production Illustrator |
| Crew | Richard Curry | Driver |
| Art | Thomas Turnbull | Construction Foreman |
| Crew | Silvija L. Moess | Scenic Artist |
| Costume & Make-Up | Peggy Nicholson | Key Hair Stylist |
| Production | Lloyd Phillips | Unit Production Manager |
| Production | Alex Brown | Production Assistant |
| Sound | Budge Tremlett | ADR Editor |
| Directing | Mark Egerton | First Assistant Director |
| Lighting | Chuck Finch | Chief Lighting Technician |
| Production | Charles Miller | Assistant Production Manager |
| Sound | Tasha Pym | Apprentice Sound Editor |
| Sound | Simon Cozens | Assistant Sound Editor |
| Camera | Patrick McGrath | Dolly Grip |
| Costume & Make-Up | Melissa Stanton | Wardrobe Supervisor |
| Art | Penny Causer | Title Designer |
| Crew | Jim Clubb | Animal Coordinator |
| Sound | Ian Wilson | Foley Editor |
| Crew | Ken Tarallo | Pyrotechnician |
| Production | Marissa Giunta | Casting Assistant |
| Art | Kate Bartouldus | Set Dresser |
| Editing | Trevor Collins | Negative Cutter |
| Sound | Mark Berrow | Musician |
| Art | Scott Maginnis | Assistant Property Master |
| Camera | Mike Miller | Key Grip |
| Directing | Andrew Bernstein | Second Assistant Director |
| Sound | Danny Longhurst | Dialogue Editor |
| Art | Doug Harlocker | Property Master |
| Sound | Jay Meagher | Sound Mixer |
| Writing | Chris Marker | Original Film Writer |
| Production | Howard Baral | Post Production Accountant |
| Crew | Karen A. Oliver | Legal Services |
| Art | Mitchell Scherr | Art Department Trainee |
| Production | Lucy Darwin | Post Production Coordinator |
| Crew | Carole French | Assistant Craft Service |
| Production | Robert Zorella | Accounting Trainee |
| Costume & Make-Up | Joseph Timothy Conway | On Set Dresser |
| Costume & Make-Up | Christina Bartolucci | Makeup & Hair |
| Crew | Steve Cotroneo | Propmaker |
| Art | Wayne Smith | Standby Painter |
| Art | Warren Manser | Production Illustrator |
| Costume & Make-Up | Marina Marit | Costumer |
| Crew | Gary Pilkinton | Special Effects Technician |
| Camera | Thomas 'Casey' Jirgal | Best Boy Grip |
| Production | Tim Downs | Location Production Assistant |
| Camera | Bill Gerardo | Second Assistant Camera |
| Production | John 'J.R.' Craigmile | Payroll Accountant |
| Production | Susan Gish | Extras Casting |
| Art | Robert Holtzman | Set Buyer |
| Directing | Philip A. Patterson | Second Assistant Director |
| Production | Kathi Ash | Assistant Location Manager |
| Crew | Terry Jackson | Stunt Double |
| Sound | Diane Greaves | Foley Artist |
| Editing | Eric McClain | Colorist |
| Production | Richard Suckle | Production Executive |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Production | Valerie Bartlett | Production Secretary |
| Sound | Ted Swanscott | Foley Recordist |
| Lighting | Steven Litecky | Assistant Chief Lighting Technician |
| Editing | Amanda Pollack | Assistant Editor |
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!