In order to help bring Nazis to justice, U.S. government agent T.R. Devlin recruits Alicia Huberman, the American daughter of a convicted German war criminal, as a spy. As they begin to fall for one another, Alicia is instructed to win the affections of Alexander Sebastian, a Nazi hiding out in Brazil. When Sebastian becomes serious about his relationship with Alicia, the stakes get higher, and Devlin must watch her slip further undercover.
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Camera | Gregg Toland | Second Unit Director of Photography |
Crew | Vernon L. Walker | Special Effects |
Directing | Alfred Hitchcock | Director |
Production | Alfred Hitchcock | Producer |
Crew | Alfred Hitchcock | Additional Writing |
Art | Carroll Clark | Art Direction |
Writing | Ben Hecht | Writer |
Sound | Roy Webb | Original Music Composer |
Camera | Ted Tetzlaff | Director of Photography |
Editing | Theron Warth | Editor |
Art | Albert S. D'Agostino | Art Direction |
Costume & Make-Up | Edith Head | Costume Design |
Costume & Make-Up | Mel Berns | Makeup Artist |
Crew | Paul Eagler | Special Effects |
Production | Barbara Keon | Producer |
Writing | John Taintor Foote | Story |
Art | Darrell Silvera | Set Decoration |
Sound | Clem Portman | Sound Re-Recording Mixer |
Art | Claude E. Carpenter | Set Decoration |
Crew | Clifford Odets | Additional Writing |
Sound | Gil Grau | Orchestrator |
Directing | William Dorfman | Assistant Director |
Sound | Terry Kellum | Sound |
Sound | John E. Tribby | Sound |
Sound | C. Bakaleinikoff | Music Director |
Crew | Sam Lufkin | Stand In |
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