A police detective is in charge of the investigation of a brutal murder, in which a beautiful and seductive woman could be involved.
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| Production | Howard Feuer | Casting |
| Sound | Jerry Goldsmith | Original Music Composer |
| Sound | Alexander Courage | Orchestrator |
| Camera | Jan de Bont | Director of Photography |
| Art | Terence Marsh | Production Design |
| Production | Mario Kassar | Executive Producer |
| Crew | Mario Kassar | Presenter |
| Costume & Make-Up | Ellen Mirojnick | Costume Design |
| Directing | Paul Verhoeven | Director |
| Writing | Joe Eszterhas | Screenplay |
| Production | Alan Marshall | Producer |
| Editing | Frank J. Urioste | Editor |
| Art | Mark Billerman | Art Direction |
| Art | William Cruse | Art Direction |
| Art | Anne Kuljian | Set Decoration |
| Sound | Dean Beville | Sound Editor |
| Sound | Dean Beville | Foley Editor |
| Crew | John Frazier | Special Effects |
| Crew | John Frazier | Special Effects Coordinator |
| Crew | M. James Arnett | Stunt Coordinator |
| Directing | M. James Arnett | Second Unit Director |
| Crew | Seth Arnett | Stunts |
| Art | Roy Barnes | Assistant Art Director |
| Camera | Dave Childers | Key Grip |
| Production | Ellen Lent | Location Manager |
| Sound | Scott Hecker | Supervising Dialogue Editor |
| Sound | Kenneth Hall | Music Editor |
| Sound | Ron Bartlett | Sound Effects Editor |
| Editing | Derek Brechin | First Assistant Editor |
| Production | William S. Beasley | Unit Production Manager |
| Production | William S. Beasley | Associate Producer |
| Costume & Make-Up | Michael Dennison | Costume Supervisor |
| Art | Wayne Fitzgerald | Title Designer |
| Production | Louis D'Esposito | Associate Producer |
| Directing | Louis D'Esposito | First Assistant Director |
| Camera | Steve Adcock | First Assistant Camera |
| Directing | Michael Viglietta | Second Second Assistant Director |
| Sound | Norman B. Schwartz | ADR Supervisor |
| Art | Stephen Myles Berger | Set Designer |
| Sound | Nerses Gezalyan | Foley Recordist |
| Sound | Stephen Hunter Flick | Supervising Sound Effects Editor |
| Camera | Larry McConkey | Steadicam Operator |
| Production | Nicole Boxer | Production Assistant |
| Crew | Robert 'Bobby Z' Zajonc | Aerial Coordinator |
| Costume & Make-Up | David Forrest | Makeup Artist |
| Crew | Randy L. Childs | Propmaker |
| Directing | Trudy Ramirez | Script Supervisor |
| Visual Effects | Al Magliochetti | Visual Effects |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Production | Jakki Fink | Casting Assistant |
| Sound | Carlos Delarios | Sound Re-Recording Mixer |
| Sound | Greg Orloff | Foley Mixer |
| Costume & Make-Up | Audrey L. Anzures | Hairstylist |
| Sound | David A. Arnold | Dialogue Editor |
| Art | Jonathan Bobbitt | Swing |
| Camera | Jeffrey Greeley | Second Assistant Camera |
| Camera | Kim Marks | Camera Operator |
| Lighting | Leslie J. Kovacs | Gaffer |
| Sound | Douglas Greenfield | Dolby Consultant |
| Editing | Douglas Kunin | Editorial Production Assistant |
| Art | Dennis J. Parrish | Property Master |
| Crew | John Pospisil | Special Sound Effects |
| Sound | Nicholas Korda | ADR Editor |
| Sound | Perry Montague Mason | Musician |
| Crew | Sandy Berumen | Stunt Double |
| Crew | Bruce Y. Kuroyama | Special Effects Technician |
| Production | Lauren Beth Strogoff | Publicist |
| Crew | Allen Burry | Public Relations |
| Crew | Gregory Lynch Jr. | Carpenter |
| Sound | Robin Glenn | Music Coordinator |
| Lighting | Miles Anderson | Electrician |
| Crew | Mauriece Jacks Jr. | Cableman |
| Sound | Fred Runner | Sound Recordist |
| Editing | Bob Putynkowski | Color Timer |
| Crew | Robin Allen | Set Production Assistant |
| Art | Chris Chichotka | Construction Foreman |
| Production | Jim Davidson | Production Accountant |
| Crew | Randy Burke | Transportation Coordinator |
| Camera | Robert J. Babin | Best Boy Grip |
| Production | Catherine Marie McDonald | Key Set Production Assistant |
| Crew | Bill Landrum | Choreographer |
| Production | Christine A. Johnston | Production Coordinator |
| Sound | Harry Shannon | Music Supervisor |
| Lighting | Paul Threlkeld | Rigging Grip |
| Sound | Doug Kent | Assistant Dialogue Editor |
| Lighting | Benny McNulty | Best Boy Electric |
| Crew | Michael R. Sloan | Post Production Supervisor |
| Lighting | E. Christopher Reed | Rigging Gaffer |
| Crew | Candace Wells | Transportation Captain |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Crew | B.J. Fredrickson | Scenic Artist |
| Art | Jennifer Clinard | Standby Painter |
| Art | Craig T. Shordon | Painter |
| Art | David Lowery | Production Illustrator |
| Crew | Harold Selig | Special Effects Assistant |
| Production | Mariann H.W. Lee | Extras Casting |
| Art | Richard W. Clot | Construction Coordinator |
| Art | Gary E. Roloff | Leadman |
| Costume & Make-Up | J. Michael Davis | Set Dressing Artist |
| Camera | Don Estes | Grip |
| Production | Aslihan Coker | Casting Associate |
| Art | Jim Baldwin | Location Scout |
| Crew | Homer Albin | Driver |
| Crew | Daniel B. Briggs | Transportation Co-Captain |
| Crew | Frank Cunha | Craft Service |
| Crew | Christopher Desmond | Set Medic |
| Crew | Mike Kaufman | Projection |
| Crew | Ron Roggé | Stand In |
| Crew | James Marett | Driver |
| Art | Gary F. Kieldrup | Assistant Property Master |
| Art | Stephen Hessel | Art Department Assistant |
| Camera | Joseph Graham | Dolly Grip |
| Production | Scott Beatty | Location Assistant |
| Production | Jeff Ledbetter | Assistant Accountant |
| Production | Tim August | Assistant Production Coordinator |
| Production | Craig Dietrich | Production Secretary |
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