Ali Abd-El-Zaher is a member of an Islamic radical group which has been launching attacks against the government and the society under the orders of the spiritual leader Brother Saif. Ali manages to assasinate an officer, but as he escapes from the authorities he gets hit by a car driven by Sewsan, the daughter of a respected Muslim family living in the Maadi district. Sewsan's father who is a surgeon and his family take care of the injured terrorist who then tries to conceal the truth about his personality, such as his dislike of music, unveiled women and Western life styles.
While Rena and Maki recover from their injuries, the other SORD members jet off overseas for a school trip. Within moments of their arrival, though, the Mihama gang are pulled into a manhunt for a SORD deserter, assisted by student Sylvia and Velvet of St. Aile's International School. Tohka's the star of the show this time round, but she's wrestling with her own issues - old memories of her parents, and a promise to a friend that she wasn't able to keep...
Imagine your life is somewhat complete with a house, job, and wife but then your best friend from college comes knocking at your door at 2 AM. During a pot-induced hedonistic party, a plan is hatched between the two friends to create an Art Film of “two really straight men having sex.” If they only knew how much this would affect all of their lives.
Viva Diva is a road trip movie, centering on Rozene and Diva, as they make their way down to Guadalajara for gender reassignment surgery. Rozene stops in on her father to try to get answers about their fractured relationship, but drama stands in the way of her getting the closure that she seeks.
Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.
Rachel is a 35-year-old school teacher who has no man in her life and lives with her mother. When a man from the big city returns and asks her out, she begins to have to make decisions about her life and where she wants it to go.
A beautiful woman with an ulterior motive hires two gunslingers to escort her through Indian territory so she can be reunited with her awaiting husband.
Surrounded by wealth, an impecunious young lady leaves home and the suave man of her dreams to spread her wings in Athens. But, he refuses to give up on her. Will she ever know that love awaits at the villa with the four marble stairs?
The story revolves around Keiko, an ordinary office worker, and the extreme situations of the tenants living in various apartments. Their lives become intricately entangled, leading to a series of highly unusual coincidences that eventually culminate in a chaotic uproar.
Din Dayal Sharma works as a Head Clerk and lives with his wife, Godavari; 3 sons Vijay, his wife Uma; Shiva and Vidyasagar; and a daughter named Rajni. Their standard of living is middle-class and all three males contribute to this lifestyle with Vijay contributing the most as he is a Chartered Accountant. When the time comes for Rajni's marriage, she refuses to marry Jagmohan's son, and wants to marry a Christian by the name of Peter Fernandes. The marriage takes place, and she re-locates to the Fernandes' house.
Yara, a 25-year-old Moroccan girl who has come to study in Paris, has not left her home for several months, as she has been agoraphobic since childhood due to terrible family events. Her only contact is with her grandmother, Najiyah, by telephone. One evening, a mysterious apparition disrupts her daily routine, forcing her to relive her worst fears, driving her to the brink of madness.
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