Mr Wyman is an elderly man whose increasingly unreliable memory has landed him in a geriatric ward. Here he is visited by his daughters Val and Molly, and Molly's husband Harold, and looked after by the ward's two male nurses, Vic and Donald, who are in competition for a promotion. Donald needs the money as he and his girlfriend are trying to buy a house but are having difficulty arranging a mortgage. From the window at which he sits, Mr Wyman can see a wall. He repeatedly pesters Donald with questions about what is on the other side. Donald constructs a fantasy of the future he dreams of with his girlfriend: a house and garden inhabited by a married couple.
The spoiled daughter of a Georgia plantation owner conducts a tumultuous romance with a cynical profiteer during the American Civil War and Reconstruction Era.
Unsatisfied with his prior romantic achievements, Todd goes on a quest to date three women at one time. Little does he know, all three women share a common bond, and the aftermath ends up being more than he could ever bargain for.
The fifth installment of the Gokudo Action Series, which depicts the process of the yakuza organization walking on the path to national domination, centered on the confrontation between the two gangsters who became their nemesis. This work is set in a certain area of Hiroshima, which is shaken by the construction problem of an industrial waste treatment plant.
A cinematographic response to Sylvia Plath’s Lady Lazarus with Plath’s own readings of her poetry. A carousel of images in windows, an atmosphere of constant metamorphosis; her poetry as cinema. Audo outtakes of Plath reading from "Cut," "Daddy," "Lady Lazarus," "Ariel," "Ouija," as well as excerpts from a 1962 interview. Mixing images of Plath's obsessions (ouija boards, horses, violent self-harm) with photographs of the poet and her work, the film delves deeply into an existence that Plath herself, in a voice-over interview, calls "living on air."
British-Somali teen Muna is desperate to go on the school trip - but her parents aren't so sure. Tragedy strikes when her grandfather dies back in Somalia, and Muna must navigate a confusing mourning period for someone she never really knew - all while still hoping to persuade her mother to change her mind.
Bale Vadivi Basu is a 2001 Telugu film directed by Arun Prasad P A. The film stars Balakrishna, Shilpa Shetty, Anjala Zaveri and Prakash Raj in lead roles.
Yasmine, a high school student from Brunei, fed up with studying and her strict father, decides to learn silat, a martial art practiced in Southeast Asia, after a boy displays his own knowledge of silat in order to impress her.
The story of young boys who have proven their loyalty to the republic unfolds in the setting of a boarding school for miners' apprentices. A tunnel is dug from the Engels mine to the Ludvik mine, so that the two mines can be connected to form the Engels mine. However, the project is targeted by subversives who want to flood it, regardless of human lives.
Hesitant to marry dancer Rajni, Ashok initially refuses but slowly falls in love with her. However, when Ashok and Rajni are about to get married, they find themselves embroiled in a murder.
Lithuania, 1968. After serving in the Soviet Army, Lukas comes back from Prague to his friends: Andrius, a state prosecutor's son, Julius, an unsuccessful artist, and Beatrice, who is attractive to all of her friends in her purity.
NEW SHORES is a sister film to IN THE STONE HOUSE in many ways. Like the latter film, it consists of earlier footage edited in recent years. It could be seen as a sequel to IN THE STONE HOUSE especially since it begins with a cross-country journey to the West Coast, where I settled, and concludes with a visit, in 1987, to the “stone house” in rural New Jersey. Even though there is some sort of time line that can be imagined, the film stands on its own. It is simply a series of episodes that touch upon facets of living in a new area with new weather, new people, new identities and stubborn old fears. The Bolex camera goes to work across landscapes and living areas, workplaces and gatherings. A dance of images: can beauty partner with dread and death? It’s a film of the coexistences that percolate beneath the surface of ordinary events. A film of useless hopes and baseless fears.
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