On the brink of the First World War, Albert's beloved horse Joey is sold to the Cavalry by his father. Against the backdrop of the Great War, Joey begins an odyssey full of danger, joy, and sorrow, and he transforms everyone he meets along the way. Meanwhile, Albert, unable to forget his equine friend, searches the battlefields of France to find Joey and bring him home.
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| Directing | Steven Spielberg | Director |
| Writing | Lee Hall | Screenplay |
| Writing | Richard Curtis | Writer |
| Editing | Michael Kahn | Editor |
| Camera | Janusz Kamiński | Director of Photography |
| Art | Rick Carter | Production Design |
| Sound | John Williams | Original Music Composer |
| Art | Lee Sandales | Set Decoration |
| Costume & Make-Up | Joanna Johnston | Costume Design |
| Production | Kathleen Kennedy | Producer |
| Production | Steven Spielberg | Producer |
| Production | Jina Jay | Casting |
| Art | Andrew Ackland-Snow | Art Direction |
| Art | Molly Hughes | Art Direction |
| Art | Hattie Storey | Art Direction |
| Art | Gary Tomkins | Art Direction |
| Costume & Make-Up | David Crossman | Costume Supervisor |
| Art | Neil Lamont | Supervising Art Director |
| Art | Carmen Ruiz de Huidobro | Assistant Art Director |
| Art | Jodie Jackman | Art Department Coordinator |
| Art | Amanda Pettett | Construction Coordinator |
| Sound | Orin Beaton | Boom Operator |
| Sound | Richard Hymns | Supervising Sound Editor |
| Sound | Gary Rydstrom | Supervising Sound Editor |
| Sound | Gary Rydstrom | Sound Designer |
| Sound | Dennie Thorpe | Foley |
| Sound | Jana Vance | Foley |
| Sound | Tom Johnson | Sound Re-Recording Mixer |
| Crew | Anna Krawczyk | Special Effects Coordinator |
| Crew | Bryn Lawrence | Stunt Coordinator |
| Camera | David Appleby | Still Photographer |
| Camera | Andrew Cooper | Still Photographer |
| Lighting | David Devlin | Gaffer |
| Lighting | Eddie Knight | Gaffer |
| Production | Antoinette Boulat | Casting |
| Production | Simone Bär | Casting |
| Production | Alexandra Montag | Casting |
| Costume & Make-Up | Calandra Meredith | Set Costumer |
| Costume & Make-Up | Russell Barnett | Set Costumer |
| Costume & Make-Up | James Pavlou | Set Costumer |
| Sound | Ramiro Belgardt | Music Editor |
| Crew | Holly Gray | Transportation Coordinator |
| Crew | Sandra Frieze | Dialect Coach |
| Directing | Anna Worley | Script Supervisor |
| Costume & Make-Up | Joe Hopker | Hair Supervisor |
| Costume & Make-Up | Josy Howard | Hairstylist |
| Costume & Make-Up | Carla Vicenzino | Hairstylist |
| Costume & Make-Up | Rupert Simon | Key Hair Stylist |
| Costume & Make-Up | Catherine Heys | Makeup Supervisor |
| Costume & Make-Up | Emily Bilverstone | Makeup Artist |
| Costume & Make-Up | Audrey Doyle | Makeup Artist |
| Costume & Make-Up | Jennifer Hegarty | Makeup Artist |
| Costume & Make-Up | Lois Burwell | Makeup Designer |
| Camera | Mitch Dubin | Camera Operator |
| Camera | Simon Baker | Camera Operator |
| Camera | John Marzano | Camera Operator |
| Camera | David Appleby | Key Grip |
| Camera | Jim Kwiatkowski | Key Grip |
| Lighting | Ronnie Phillips | Rigging Gaffer |
| Camera | Toby Plaskitt | Russian Arm Operator |
| Crew | David Sillery | Armorer |
| Crew | Caroline Wilson | Armory Coordinator |
| Visual Effects | Laurent Benhamo | Animation |
| Visual Effects | Kevin Spruce | Animation |
| Visual Effects | Stuart M. Ellis | Animation |
| Crew | Michael Mulholland | CG Supervisor |
| Visual Effects | Matt Bell | Creature Technical Director |
| Visual Effects | Carl Bianco | Creature Technical Director |
| Visual Effects | Fernando Borges-Pacheco | Creature Technical Director |
| Visual Effects | Sagar Rathod | Creature Technical Director |
| Visual Effects | Penn Stevens | Creature Technical Director |
| Visual Effects | Joshua Wassung | Pre-Visualization Supervisor |
| Visual Effects | Duncan Burbidge | Visual Effects Producer |
| Visual Effects | Ben Morris | Visual Effects Supervisor |
| Visual Effects | Ciaran Devine | Visual Effects Technical Director |
| Visual Effects | Michele Fabbro | Visual Effects Technical Director |
| Visual Effects | Daniel Fernandez | Visual Effects Technical Director |
| Visual Effects | Noah Taylor | Visual Effects Technical Director |
| Sound | Cheryl Nardi | Dialogue Editor |
| Sound | Cheryl Nardi | ADR Editor |
| Sound | Richard Quinn | Dialogue Editor |
| Sound | Richard Quinn | ADR Editor |
| Sound | Colette D. Dahanne | Foley Editor |
| Sound | Jonathan Null | ADR Supervisor |
| Art | David Cheesman | Property Master |
| Directing | Adam Somner | First Assistant Director |
| Production | Solomon Artistes | Extras Casting |
| Production | Constantine Gregory | ADR Voice Casting |
| Sound | Andy Nelson | Sound Re-Recording Mixer |
| Sound | Stuart Wilson | Production Sound Mixer |
| Visual Effects | Neil Corbould | Special Effects Supervisor |
| Writing | Michael Morpurgo | Novel |
| Costume & Make-Up | Holly Waddington | Assistant Costume Designer |
| Costume & Make-Up | Nadia Stacey | Other |
| Crew | Ken Petrie | Special Effects Technician |
| Camera | George Richmond | Camera Operator |
| Camera | George Richmond | Steadicam Operator |
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