In her first few days at an AI driven grief support job, Millie impersonates deceased loved ones, confronting the emotional toll and moral dilemmas of grief while struggling to connect with colleagues.
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| Directing | Karl Bergholtz | Director |
| Writing | Karl Bergholtz | Writer |
| Production | Karl Bergholtz | Casting |
| Production | Erica Andersson | Producer |
| Production | Annika Elliott | Producer |
| Sound | August Petrén | Music |
| Crew | Jonathan Sandberg | Cinematography |
| Editing | Hanna Welander | Editor |
| Art | Zarah Virtanen Windh | Set Decoration |
| Production | Annika Elliott | Production Manager |
| Directing | Annika Elliott | First Assistant Director |
| Sound | David Engellau | Sound Mixer |
| Sound | Tommy Johnsson | Sound |
| Sound | Joe Vince | Foley Artist |
| Lighting | William Hult | Gaffer |
| Camera | Ludvig Stenström-Weissglas | Assistant Camera |
| Lighting | Hanna Welander | Gaffer |
| Editing | Antonio Ikovic | Colorist |
| Directing | Sara Andersson | Script Supervisor |
| Crew | Andreas Albertsson | Catering |
| Camera | Jesper Johnsson | Clapper Loader |
| Crew | Alfred Wreeby Ljung | Catering |
| Production | Hampus Pettersson | Production Assistant |
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