An experimental look at the making of "Katalin Varga" which has more to do with the diary films of Jonas Mekas than with a typical behind-the-scenes documentary.
Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.
Documentary about the murder of Vincent Chin in 1982 and the aftermath. The documentary also explores the modern Asian-American identity when so few Asian-American youths are aware of who Vincent Chin is.
From the masters who create the mind-bending diversions to the tense competition at the American Crossword Puzzle Tournament, Patrick Creadon's documentary reveals a fascinating look at a decidedly addictive pastime. Creadon captures New York Times editor Will Shortz at work, talks to celebrity solvers -- including Bill Clinton and Ken Burns -- and presents an intimate look at the national tournament and its competitors.
Through conversations held with fifty four of the most distinguished cinematographers working in Brazil and abroad over the last forty years, the documentary explores the working environment, the new tools and the different styles of the professional who controls the light and the shades behind the camera.
Follow Academy Award winner Olympia Dukakis behind the scenes in this affectionate profile of a stalwart New Yorker and beloved stage and screen treasure.
The Shitthropocene is a journey from the cellular-level origins of our lack of impulse control to the ways our central nervous systems have been hacked in the name of capitalism. It’s also about how we might begin to save ourselves from ourselves. Plus, there are dancing cave people.
This film describes the building of the drilling platform ADMA Enterprise in a shipyard on the Kiel Canal, from where it was rowed to the Arabian Gulf.
Many migrants live in search of a mirror in which to recognize themselves; they are not from here, but they are not from there either. Los Williams / The Williams, a feature-length documentary, familiar and sporting, told in first-person by Iñaki and Nico Williams. Two brothers, footballers, Basques and "beltzas" or black, of Ghanaian descent, reveal their incredible tale across the two most crucial years of their lives. From their historic participation in the Qatar World Cup with two different selections, to the long-awaited victory of the Athletic Club in the Copa del Rey after 40 years, and Nico's triumph at the European Championship. Two international stars, face to face with their past and their future, through the conflicts that have marked their lives: racism, identity, frustration, ambition, and success.
The southern city of Minas Gerais, São Tomé das Letras, founded in 1785, is placed on a quartzite reservoir and at the same time on a valuable floral reserve. The film deals with the ecological and social changes that occurred in time.
Four female friends from Egypt with opposing religious, social, and political views listen to one another's perspectives and argue openly, without ever breaking the bond that unites them.
It is parliamentary election spring 2019. Jukka, a professor from the University of Helsinki and a first time candidate, is walking to the kick-off event, and is determined to change the lousy University Act. At the same time, education and science professionals, Gaela, Lena and Taina, go through their own battle to be able to teach and research - struggling with law case, layoffs, lack of resources and dysfunctional structures. However, the biggest resistance is The Finnish anti-education and anti-science Government, which changes every four years.
Ugly, Me? is a film manifesto made from a workshop for actors called Characters in Search of a Movie, in 'La pa', 'Rio De Janeiro', extended to Paris and 'Kerala' (India). Multifaceted like a kaleidoscope, the characters appear in multi-screens scenes and sequences. The images were captured with different kinds of cameras and Ugly, Me? uses this sign of the variety imposed by independent production as language experimentation. Transposing the boundaries of style, Ugly, Me? navigates in a sea of metaphors, philosophical and musical politics, from Prince Harry to Heraclitus, going through a series of authors like Rimbaud, Brecht, Nietzsche, Bispo do Rosario and Eduardo Viveiros DE Castro, capturing a contradictory and original country.
After decades of failed climate policy, five activists turn off oil pipelines near the US-Canadian border and face trial, defending their actions as necessary in response to the climate emergency.
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