The dynamic meeting of solid science and futuristic simulation culminates in a dramatic exploration to another inhabited planet seven light years away. Alien Planet creates a realistic depiction of creatures on another world, where life is possible, if not provable, according to scientists' theories. Take this fascinating journey created by state-of-the-art animation and photo-realistic effects.
Madeline Anderson’s documentary brings viewers to the front lines of the civil rights movement during the 1969 Charleston hospital workers’ strike, when 400 poorly paid Black women went on strike to demand union recognition and a wage increase, only to find themselves in confrontation with the National Guard and the state government. Anderson personally participated in the strike, along with such notable figures as Coretta Scott King, Ralph Abernathy and Andrew Young, all affiliated with Martin Luther King’s Southern Christian Leadership Conference. Anderson’s film shows the courage and resiliency of the strikers and the support they received from the local black community. It is an essential filmed record of this important moment in the history of civil and women’s rights. The film is also notable as arguably the first televised documentary on civil rights directed by a woman of color, solidifying its place in American film history.
A documentary on the volunteer Estonian Army's defense against the Soviet Army in 1944 with an emphasis on its last stand in the region known as the Blue Hills of Estonia.
People love going to the beach for lots of different reasons. The sun. The sand. The salt-water taffy. In this slightly wacky documentary, we consider all kinds of things that draw people to the coast: board walks, seafood, lifeguards, even metal-detectors and roller skates. From Nantucket to Venice Beach, people relax and bounce in the waves. From the Outer Banks to Oahu, beachgoers bring along their fishing gear and hope to catch some dinner.
An exhilarating, essayistic documentary about the 1980 festival of experimental theatre in the French city of Nancy. Werner Schroeter's favourite of his own films.
'Born Without' is a documentary about severely handicapped Mexican actor and musician Jose Flores. "Born without arms and other limbs, Jose supports his large family by playing the harmonica throughout Mexico. In the face of adversity, he shows great courage and spiritual strength. This is a film with multiple layers. It is about sharing, daring and being grateful for what we have. It is also an exploration of social values, some of them controversial. Many of Jose's choices have been strongly criticized by his family and people around him. As a result, this is also a film about self discovery: a way to explore what we judge ... and what we choose to accept and forgive."
A feature documentary about the people and the planes that helped win World War War II. Through people personally connected to the events, the film investigates the story of how the Spitfire, its stable-mate, the Hawker Hurricane and its great adversary, the Messerschmitt 109 came into being during the huge advances in aviation in the interwar period—and then how the pilots fared in combat, three miles up in the skies over Europe, Africa and Asia.
In an old castle, theatre director Declan Donnellan leads a dozen young actors as they work on Shakespeare’s Macbeth. His insights unlock their imagination and help them find their own way through this challenging text.
Musicfilm with unpublished images from the life of the most famous Italian trapper: Sfera Ebbasta. Between concerts, studio sessions and lifestyle, the movie retraces his entire artistic career from the beginning together with producer Charlie Charles, to international success. With testimonials from Marracash, Shablo, Steve Aoki and Rvssian.
Towards the end of 2015, James Benning made one of his occasional expeditions to Utah, to the place where Robert Smithson's colossal land-sculpture Spiral Jetty (1970) extends out into the Great Salt Lake. The water-level was low, leaving the vast bulk of the Jetty exposed in the crisp air. His film measuring change captures two thirty-minute periods of that particular day, in the unblinking, unmoving takes that have become his trademark––beginning at 8:57am and 3:12pm respectively. A belated digital companion piece to his 16mm masterpiece casting a glance (2007), this new film hypnotically contemplates Smithson's art-work in relation to its wider environment and to the humans who walk on and around its gargantuan coils.
An intimate glimpse into the experiences of a young Tibetan family struggling to reconcile their traditional way of life with a rapidly modernizing world.
The film tells the story of the East Prussian landscape and its inhabitants. At one time Germans, Poles, Lithuanians and Jews lived here alongside and with one another. After World War II and the expulsion of Germans by Stalin, the Prussian province turned into a Russian enclave. Volker Koepp’s fourth film about the Kaliningrad region is dedicated to the generation, born in the '90s, and familiar with the Soviet Union and East Prussia only from school books. Parents and grandparents who were forcefully resettled to where they are now have never really felt at home. In the meantime they have hopelessly succumbed to unemployment and alcohol. Their children can only rely on themselves. Older siblings look after the younger ones, they play with what lies around, and the girl Ljuda can’t wait to finally turn eighteen, to be able to take her brothers home from the orphanage. The film has much confidence in the children. But what will become of them?
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