Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.
In the heart of the Ariege Pyrenees, Patrick Chêne, a farmer and osteopath, cares for humans and animals with his hands and diphonic song. The vibrations of his singing radiates through the body and acts like an acoustic probe, showing a sensitive world full of invisible energies that make and form life, building our link with Earth and our environment.
Kramatorsk may not be the nicest place - a town of factories and broken infrastructure - but its denizens find much to love there, reflecting on their home with frankness and warmth.
When Anna, a twenty-eight-year-old photographer, is put in charge of a report on the restoration works at The Ostend Museum of Modern Art, she discovers by chance five paintings signed Constant Permeke, whose power and mystery move and fascinate her.She decides to embark on a quest to find out about who Permeke actually was, the places where he lived, how he worked, what experiences he went through.
This American Experience tells Whitman's life story, from his working-class childhood in Long Island, to his years as a newspaper reporter in Brooklyn when he struggled to support his impoverished family, then to his reckless pursuit of the attention and affection he craved for his work, to his death in 1892.
Forever, Chinatown is a story of unknown, self-taught 81-year-old artist Frank Wong who has spent the past four decades recreating his fading memories by building romantic, extraordinarily detailed miniature models of the San Francisco Chinatown rooms of his youth.
Chronicles soap star Kristoff St. John's journey from child actor to his role as Neil Winters, exploring his career achievements, mental health struggles, and impact on Black entertainment.
Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.
An extraordinary journey through the material that makes up our habitat: concrete and its ancestor, stone. Victor Kossakovsky raises a fundamental question: how do we inhabit the world of tomorrow?
A doc about the Cree and Chippewa people of northern Manitoba. Made in the mid 20th century, it is dated in tone, but provides insight into the vital relationship that existed between First Nations and the caribou herds that sustained them.
1979. Flicking through pictures from a Soviet magazine, 15-year-old Martim dreams of building a new society. His radical communist parents send him to study at Astrakan for one year. In her new film, Catarina Mourão captures with tremendous precision the moment a middle-aged man passes his story on to his son, thus shedding the taboo of his ineffable experience.
The Inglewood Police Department's 1960s video, "LSD: Trip or Trap?" is a classic of the genre. Alex sez, "It's a story of two friends who enjoy flying model planes, except that one becomes an 'acidhead' so he can be 'groovy' with the other acidheads. The other does research into LSD and decides it's a 'bummer'."
Kasia and Robert, along with their three sons, take a bold leap from their conventional lives into an RV, embarking on a journey with no set destination, guided only by a longing for freedom and closeness. As the miles accumulate, the stark contrast between their fantasies and the realities of road life unfolds. Can leaving everything behind and venturing into the unknown truly unlock the path to happiness?
"Our analysis of such a rich film should not be a rigid, either/or proposition. It remains for us, almost 55 years on from Contempt’s initial release, to fully grasp Godard’s modernist gestures, poised between a fullness of mythic and classical meaning, and the possibilities of a newly fragmented universe of signs."
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