A short film about the enduring meaning of a beloved chocolate soda drink born on the Jewish Lower East Side. The egg cream contained neither eggs nor cream—it was a product of necessity and hardship, but a source of joy and sweetness. Through a tour of egg cream establishments led by a filmmaker and his young daughter, exhaustively researched archival imagery (and an eponymous song by Lou Reed!), EGG CREAM examines the Jewish experience in America and the mythology of a simpler time.
A deliciously scandalous portrait of unsung Hollywood legend Scotty Bowers, whose bestselling memoir chronicled his decades spent as sexual procurer to the stars.
Professional drivers on the international Formula E circuit — like Formula One, but with eco-friendly electric cars — race for victory across 10 cities.
People's associations with flora goes back a long way, taking us back to our own roots as well as to new ways of life and creative potential that reveal themselves as we deal with plants.
Italian singing trio, Trio Lescano, three sisters singing in the close harmony style of the Andrews Sisters, rise to great popularity before World War II, but are detained in 1943 by Italian authorities since they are Jewish.
Jonathan Rendall's broke, he's been given £12,000 to gamble with, and he gets to keep any winnings. He'll bet on anything: from racing to roulette, boxing to blackjack. All he needs is luck.
This two-part, three-hour biography, offers an incisive portrait of Henry Kissinger, the enigmatic powerbroker who served in the topmost echelons of American diplomacy. Whether celebrated or reviled, Kissinger’s contradictions reflect those at the heart of America’s foreign policy during the second half of the 20th century, a period in which America became the unchallenged superpower in the world yet often pursued policy at odds with its own highest ideals.By examining his life up to and throughout his tortured relationship with President Richard Nixon, Kissinger endeavors to understand precisely what drove his relentless drive for power. It is a story of deep contradictions — of Kissinger’s obsession with securing American supremacy, staving off nuclear war, and checking the power of our enemies, even while consorting with dictators and tolerating widespread violation of human rights.
A dizzy trip through the mid-1990s with a dysfunctional American family. Reliving a distracted child's birthday party, an emotionless wedding, a Halloween in a garage and a Christmas marked with alcohol, drugs and perversion, the film is a crumpled letter from a filmmaker to his family: a shattered kaleidoscope of the destructive patterns that have trapped and wounded its members.
In this offbeat whodunit, Bernie Langille sets out to uncover the truth around the strange circumstances of his grandfather (and namesake) Bernie Langille's death. Fifty years after the fact and with the help of meticulous miniatures, he reconstructs the bizarre events of one fateful winter night in 1968. What exactly precipitated the shocking discovery of Grandpa Bernie, dead in his own bed? The labyrinthian task of answering this question leads Bernie to interview a range of characters, including forensic experts and family members. Along the way, Bernie entertains increasingly absurd scenarios—including the possible involvement of Agent Orange. His obsessive musings, just like the constantly changing miniature sets, never get old. Ultimately the film provides a quirky yet thoughtful look at family ties, the fault lines of memory and intergenerational trauma.
in this new program, editors Lynzee Klingman and Stanley Warnow remember how they were given the opportunity to work on Hair and discuss the type of work they did to meet Milos Forman's requirements for the film.
This shows physicist Stephen Hawking's life as he deals with the ALS that renders him immobile and unable to speak without the use of a computer. Hawking's friends, family, classmates, and peers are interviewed not only about his theories but the man himself.
'Old People' deals with a subject which was to preoccupy filmmaker Ulrich Seidl over many years and across a number of films: it portrays old people both at home and in nursing homes. This TV-report was produced as part of the 3-Sat series "Inter City" and deploys a typical TV commentary, a device Seidl has almost never used but which at the time was mandatory with this TV company.
The authorized documentary celebrating the film that redefined Hollywood, 50 years after its premiere. Featuring rare archival footage and interviews with acclaimed Hollywood directors alongside Steven Spielberg, top shark scientists, and conservationists, the film uncovers the behind-the-scenes chaos and how the film launched the summer blockbuster, inspired a new wave of filmmakers, and paved the way for shark conservation that continues today.
Best of the 60s is a documentary and a compilation from across the years of the iconic music series. More More. Best of the 60s is a compilation from across the years of the iconic music series and features performances by The Beatles, The Rolling Stones, The Who, Martha & the Vandellas, Dusty Springfield, The Animals, Otis Redding, The Temptations, The Walker Brothers, Them, Marvin Gaye and more.
Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.
“Showrunners” is the first ever feature length documentary film to explore the fascinating world of US television showrunners and the creative forces aligned around them. These are the people responsible for creating, writing and overseeing every element of production on one of the United State’s biggest exports – television drama and comedy series. Often described as the most complex job in the entertainment business, a showrunner is the chief writer / producer on a TV series and, in most instances, the show’s creator. Battling daily between art and commerce, showrunners manage every aspect of a TV show’s development and production: creative, financial and logistical.
How can cinema engage with complicity in crimes against humanity, extreme violence and state terror without conniving in it? De Facto finds answers to this question via two actors, a precisely compiled collage of texts and a deliberately reduced setting.
Traces the Beats from Allen Ginsberg and Jack Kerouac's meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs in 1997. Three actors provide dramatic interpretations of the work of these three writers, and the film chronicles their friendships, their arrival into American consciousness, their travels, frequent parodies, Kerouac's death, and Ginsberg's politicization. Their movement connects with bebop, John Cage's music, abstract expressionism, and living theater. In recent interviews, Ginsberg, Burroughs, Kesey, Ferlinghetti, Mailer, Jerry Garcia, Tom Hayden, Gary Snyder, Ed Sanders, and others measure the Beats' meaning and impact.
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