Everyone dreams of fame. From the nail-biting freshman auditions to the spectacular year-end performances, Fame High captures the in-class and at-home drama, competition, heartbreak, and triumph during one school year at the Los Angeles County High School for the Arts, also known as Fame High.
Ai Weiwei examines our relationship with animals, from China and Egypt to the Danish mink farms. At times violent, always thought-provoking - and above all, a mirror image of ourselves.
A behind-the-scenes documentary about the 41st Paléo in Nyon (Switzerland) in 2016, with a selection of the best parts of the concerts and interviews with the artists and volunteers who organize the festival.
Through never before-seen archive material, interviews with celebrities, industry insiders, rabid fans and the Kids In The Hall themselves – this documentary tells the wild story of this cult-famous comedy troupe from the 1980s to the present day.
Filmed in Europe, this film is about the wandering of young Romanians, Moroccans and Kurds. A film that explores survival strategies and questions the masculinity of young, wandering men. It is a very harsh film that explores the very current issue of immigration in Europe. Young clandestine men face total disappointment after arriving to the great cities of Europe. They are often faced with the worst imaginable choices for their lives.
In 1946, just after the end of World War II, a secret organization of Holocaust survivors plans a terrible revenge: since the Nazis have killed millions of Jews, they will kill millions of Germans.
Filmed in five locations on a single day, One Vote captures the compelling stories of diverse voters on Election Day 2016. At times funny, surprising and heart-wrenching, the film eschews partisan politics in favor of an honest portrayal.
The history of barbed wire, whose use dates back to the first settlers of the Wild West, always driven by their reckless and ruthless spirit of conquest and selfish ambition to leave their mark on wild lands; of its relationship with politics and mercantilism; of the perversion of the millenary relationship between men and animals; of the evolution of surveillance techniques. Fences and borders: the tragic tale of the enclosure of the world.
Higher traces Jones’ snowboarding journey from hiking Cape Cod’s Jailhouse Hill as a child to accumulating several generations’ worth of wisdom and expertise about thriving and surviving in the winter wilderness.
Kim Novak never dreamed on being a star, but she became one. Most famous for her enigmatic performance in Hitchcock’s Vertigo (1958), the Chicago-born actress never quite fitted into the Hollywood mould and wanted to do things her own way.
When a reporter too laid-back for his own good is told his last chance to keep his job is to get some good photos for a story on skateboarding, he seeks out a group of four boarders who agree to take him on a skateboarding tour of California. After showing extensive footage of skateboarding moves and tricks, the film then goes on to show some surfing and snowboarding. The film is also bookended by a pair of animated shorts, both about skateboard racing.
This 2009 documentary by Mona Ghandour details the production of CAIRO STATION and includes interviews with director Youssef Chahine, screenwriter Abdel Hay Adib, and actors Hind Rostom and Farid Shawki.
What does a day in the life of the most famous painter alive look like? Is it a battleground of colour, a symphony of rebellion, a spectacle of squeegeeing? And what roles do the Sparkasse Bank and mysterious Anselm play in all of that? In his hilarious spoof documentary on the art world, Ulu Braun walks away from his trademark ‘video paintings’ and steps into a full blown AI universe.
In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
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