A boy haunted by nightmares about the night his entire family was murdered is brought up by a neighboring family in the 1880s. He falls for his lovely adoptive sister but his nasty adoptive brother and mysterious uncle want him dead.
A tough, womanizing high-stakes gambler known only as Tennessee has an uneasy relationship with Duchess, madam of a thinly-disguised bordello, and no other friends at all. But he's saved from murder by a lonesome cowpoke ('My friends call me Cowpoke'), in town to meet his fiancée Goldie on the steamboat. When she arrives, there's a mysterious undercurrent between Goldie and Tennessee, whose newfound friendship with Cowpoke is destined to be severely tried...
Western pardners Jeff and Cash find a baby boy in an otherwise deserted emigrants' camp, and clash over which is to be "father." They are still bitterly feuding years later when they own adjacent ranches. Bill, the foundling whom Cash has raised to young manhood, wants to end the feud and extends an olive branch toward Jeff, who now has a lovely daughter. But during a mining venture, the bitterness escalates. Is Bill to be set against his own adoptive father?
Insurance Investigator Roy is looking for Weston and the missing money he supposedly obtained in a robbery. When he catches him and listens to his story, he changes his mind about him. A freak accident locates the missing money box and they find the seal unbroken. Roy then announces the box will be opened at the showboat that evening.
Stanton breaks Billy and his two friends Fuzzy and Jeff out of jail. He wants them free so three of his men can impersonate them for the robberies and murders he has planned.
This superior Spaghetti western scrutinizes the greed and paranoia that afflict four men as they struggle among themselves to unearth a fortune in gold from a remote Southwestern mine without falling prey to each other's bullets.
John Russell, disdained by his "respectable" fellow stagecoach passengers because he was raised by Indians, becomes their only hope for survival when they are set upon by outlaws.
The Marshal sends John Weston to a rodeo to see if he can find out who is killing the rodeo riders who are about to win the prize money. Barton has organized the rodeo and plans to leave with all the prize money put up by the townspeople. When it appears that Weston will beat Barton's rider, he has his men prepare the same fate for him that befell the other riders.
A widowed farmer and his son warily take in a mysterious, injured man with a satchel of cash. When a posse of men claiming to be the law come for the money, the farmer must decide who to trust. Defending a siege of his homestead, the farmer reveals a talent for gun-slinging that surprises everyone calling his true identity into question.
Julie's husband has been murdered and land agents want her to sign away her property rights. Hoppy warns against this but she does so anyway. It looks as though she will be unable to deliver the timber called for in her agreement. Hoppy has to make the lumber deal happened and solve the murder.
Jody Deakes joins up with his father after many years, just to discover that his dad is part of an outlaw gang on the run from a relentless bounty hunter named Santee. Jody is orphaned soon after Santee catches up to the gang, and follows Santee in hopes of taking vengeance for his father's death. Instead, however, Jody discovers that Santee is a good and loving man, tormented by the death of his young son at the hands of another outlaw gang. Santee and his wife take Jody in and a father and son relationship begins to grow. Then the gang that shot Santee's son shows up. The film was produced by Edward Platt of Get Smart fame. It was one of the first motion pictures to be shot electronically on videotape and then transferred to film.
A good-natured but chivalrous cowboy romances the local schoolmarm and leads the posse that brings a gang of rustlers, which includes his best friend, to justice.
Captain Hunt of the cavalry is trying to promote good relations with the Indian chief Acoma. But Hunt's superiors in the military insist on pursuing policies that will provoke a conflict, and Chief Acoma is not willing to let himself be insulted.
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