Han frigav slaverne i 1848. Han talte konge og regering imod. Han elskede sine samtidige koner lige højt. Han var farverig, han var enevældig, han var Danmarks sidste generalguvernør på De vestindiske Øer, hans navn var Peter von Scholten. Filmen om ham er en pragtfuld historie om storhed, magt og stædighed på den ene side, og om kærlighed, loyalitet og vemod på den anden. Den er et farverigt galleri af personer, der viser tiden, danskeren i det fremmede – og det sorte menneske i relief til det hvide.
Diabolical. Seductive. Immortal. Vampires have been an icon of evil in folklore and popular culture for more than three centuries, yet only one name still personifies the ultimate aristocrat of bloodlust. Now join the world’s foremost experts on Dracula – including academics, authors and horror historians – as they explore the untold story of the Transylvanian Count, from the legend of Vlad The Impaler and Bram Stoker’s celebrated novel through its landmark stage productions and classic movie adaptations.
Hosted by Keeley Hawes, star of the popular television series The Durrells, this documentary reveals the adventures of the eccentric Durrell family once they left Corfu, Greece.
From the far north of Canada to the southern tip of Chile, through the southern United States, central Mexico and the Brazilian Mato Grosso, new concordant but still controversial archaeological discoveries have brought a new paradigm to the archaeology of American prehistory: the appearance of the first humans on the continent could date back to nearly 30,000 years before our era, that is to say, about 15,000 years earlier than the commonly accepted and taught thesis. Although there were a few mavericks in the past who disputed the scenario according to which the first ancestors of Americans arrived on foot through the Bering Strait 16,000 years ago, they were long kept out of the scientific community.
1859. Exploiting the Austrian-French-Italian conflict, Kossuth sends Batiszy Kristóf back from the emigration to organize the Hungarian Legion. Batiszy's company gets into trouble, Austrians are waiting for them, Hungarian authorities chase them, people stand still. Demolition of the troop is the task of Görgényi László chief district administrator, who used to be an officer in the revolution once.
She fought the Indians alongside Custer, witnessed the birth of Deadwood and was close friends with Buffalo Bill. She was the terror of the plains, the outrage of the saloons, the oddest of her kind. But no one ever knew who she really was. Her name was Martha Canary, her name is Calamity Jane.
The feud between the Hatfields and McCoys is perhaps the most famous family conflict in American history. As legend has it, two neighboring families in the backwoods of Appalachia waged a crude and bloody war against each other over a stolen hog, an illicit romance, and longstanding grudges. Yet the events that took place near the end of the 19th century between the Hatfields and McCoys are part of a much richer and more complex narrative of the American experience.
Was the legendary playwright William Shakespeare really the author of his acclaimed plays? Or was he just a straw man working for a secret society? Norwegian organist and researcher Petter Amundsen claims to have a solid theory on the subject. Shakespearean scholar Robert Crumpton decides to travel to Norway to meet him.
The royal summary court sentences Sallai Imre and Fürst Sándor to death on charges of attempting to uproot the state and the social order. The film, the story of which takes place in 1932, enlarges the moment of delivering the death-sentence. Sallai, preparing for his death, envisions the people and the events that have been decisive for his life.
Their family name alone evokes horror: Himmler, Frank, Goering, Hoess. This film looks at the descendants of the most powerful figures in the Nazi regime: men and women who were left a legacy that indelibly associates them with one of the greatest abominations in history. What is it like to have grown up with a name that immediately raises images of genocide? How do they live with the weight of their ancestors' crimes? Is it possible to move on from the crimes of their ancestors?
Narges Shahid Kalhor is a director seeking to be rid of the "Shahid" (martyrs), who are too heavy a burden. From Bavarian bureaucracy and therapy to dancing with Iran’s past generations and their long shadows, she twirls through a heady autofiction.
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!