Two best friends are pitted against each other when a new girl comes to town, matters are further complicated when they enlist together in the U S Army to fight in the Persian Gulf War, the men and their unit captured by Iraqi forces and must work together with other prisoners of war to escape...
Alexander Nikolaevich is very old. The war turned his whole life upside down. But he does not remember the war, and he does not remember insults, he remembers something completely different. He remembers gestures, hand movements, his hands. He forgave everyone. He is ready to shake hands with former enemies. Ready. But he can't. He has no hands. He lost them in the war.
The documentary film is based on reconstructed archival films of the 1920 Polish-Soviet war, which ended in one of the greatest military successes of the Polish nation. The film also uses radio recordings, accounts of participants and witnesses to the events, as well as archival material testimony that has survived to our time: photographs, orders and records of secret reports. Polish Television carried out a digital reconstruction of century-old, previously unpublished archival films, including those from Soviet Union, France, Great Britain, the Czech Republic, Hungary and the USA.
The film is based on the memories of Patriarch of All Russia Alexy II about his childhood, about his mother and father-priest, about how he went to Valaam with his parents as a child, about the terrible beginning of the war, which cut off his childhood in an instant, about the arrival of German troops in Estonia... Before the eyes of an 11-year-old boy, there are whole strings of complex human destinies. Being next to his father, little Alyosha saw how sometimes it is unfair for an ordinary provincial priest, sincerely, from the bottom of his heart trying to help the desperate, to keep hope and faith in goodness in them...
After the novelette of the same name of Huseyn Abbaszadeh. The film is about friends' meeting who fought together as a partisans in Belorussian detached force.
The four sequences in the film cover four days in a life of young Warsaw lad in September 1938, 1939, 1943 and 1944. In the first sequence Jurek decides not to study in the Sorbonne but enlists in a Polish military school instead. In the second sequence the war starts and Warsaw is occupied. In the third sequence he works in the underground resistance. The final sequence takes place during the Warsaw uprising.
This cinematic travelogue consists of three parts. In the first part, texts and small maps are our guides through Madrid in 1936. We see pictures of daily life against the background of the fascist shillings. A sad portrait of destroyed houses, the search for survivors under the rubble, and children's corpses in small wooden coffins. Central to the second part is the defence of liberty. Images from the front alternate with fragments of the besieged city. The last part deals with the aid given to and still needed by the town; an appeal is made to give money for medicines. This film breathes an unfaltering belief in a favourable close: unconditional victory. At the time, the film was a great success and yielded a lot of money for medical aid to Spain.
Chengumani is commander-in-chief in the 18th-century Coorg region of present-day Karnataka. He becomes the king's commander-in-chief after saving his life, but his life gets complicated when he falls in love with Poovi and marries her in disguise. The movie was dubbed in Telugu as Prachanda Bheri. This was also Rajkumar's first cinemascope movie.
Cardinal Volponi tries to save his old friend, a priest-turned-militant communist, from being executed by the Nazis alongside 334 other hostages but struggles to reason with either the Vatican, the Nazis or his friend.
During World War II, one small band of brave soldiers is on a covert mission deep behind enemy lines in Nazi-occupied France. Their mission is to take out a secret Axis radar installation and pave the way for an all-out Allied air strike. Against harrowing odds, the resilient heroes will stop at nothing to complete their mission. This independent war drama from Kenneth W. Richardson stars James E. McLarty, Jim Westbrook and Robert Stolper.
A deaf and mute little boy wanders away from home in the aftermath of the battle of Chickamauga, one of the bloodiest conflagrations of the American Civil War.
They have something to be silent about. Those who once crossed the line between peaceful Ukraine and the ATO zone, often without even understanding what lay ahead. Now they—the mobilized and the volunteers—are back home. But most often, when asked about the war, they say nothing because they have something to be silent about...
Following the gripping predecessor 6 Minutes of War, which was set on the Eastern Front, this short film now takes you to the Western Front of World War II. In intense images, and only eight minutes long, the film depicts the struggle for survival, the brutality of war, and the fates of soldiers caught between chaos and hope.
The story line, although in fiction, was set in the last days of the Second World War in the Philippines, particularly the Bessang Pass in the island of Luzon. The combined Filipino and American military forces are having a hard time in defeating the Japanese Imperial Army. Because of this situation, many military personnel and civilians on the side of the Filipino and Americans caught between the opposing forces are dying in large numbers everyday. Equipment and logistics in large quantities are also lost during the same time. The top brass of the United States Armed Forces in the Far East (USAFFE) decided to select six Filipinos from various several guerrilla units under its command to execute a mission codenamed “Mission X-310”:
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