Two of Germany's best and busiest directors collaborated on Berge in Flammen (Mountain in Flames). The storyline should be of interest to pro-ecologists, inasmuch as the directors take to task the warmongers of the world for despoiling the natural beauties of the European mountain ranges with their shell-fire. The final outrage occurs during a battle between the Austrians and the Italians in the Dolomites, culminating with the destruction of an entire mountain (hence the film's title). The harrowing images on screen were complemented perfectly by the musical score of Giuseppe Beece. Also known as The Doomed Batallion, Berge in Flammen was filmed in three different languages -- German, English, French -- for a total cost of $150,000.
1943, The Netherlands is under total Nazi occupation. In Amsterdam, Jack, an unassuming accountant, first meets Ina at a birthday party - a 20-year-old beauty from a wealthy diamond manufacturing family who instantly steals his heart. But Jack's pursuit of love will be complicated; he is poor and married to Manja, a flirtatious and mercurial spouse. When the Jews are being deported, the husband, the wife and the lover find themselves at the same concentration camp; actually living in the same barracks. When Jack's wife objects to the "girlfriend" in spite of their unhappy marriage, Jack and Ina resort to writing secret love letters, which sustain them throughout the horrible circumstances of the war.
The film is set against the backdrop of the Great Victory of Pingxingguan, and tells the story of Zheng Zhong, a cryptographer who was surrounded and hunted down by the Japanese for his crucial role in turning the tide of war.
Warsaw 1941. Gestapo captures a Home Army soldier who knows the code needed to read the list of agents working in Reich. Tortured Wójcik asks the doctors for poison.
A group of partisans fight to the last man to cover a retreat, leaving only five, who take the newborn child of a dead woman with them. Based on the novel by Mihajlo Ranovcevic.
The film evolves around questions of identity, popular memory and culture. While focusing on aspects of Vietnamese reality as seen through the lives and history of women resistance in Vietnam and in the U.S, it raises questions on the politics of interviewing and documenting.
Hunter, a young autistic man who has just relocated to New York City, finds himself in the middle of a hot and sweaty New York summer struggling to adjust. He retreats inward and spends his days listening to music alone and exploring his richly imaginative inner world which contains his only friend, Imaginary. One day, on a tour of a community ceramics center called The Annex, Hunter meets Marley. Hunter is immediately drawn to Marley but struggles to talk to him, let alone ask him out on a date. Imaginary knows Hunter needs, "someone special. Someone real". Hunter will ultimately have to find the courage to approach his crush on his own and find his way into a new community. This courage, as courage does, may come from the most unexpected of places in this big city.
When an American plane crashes in the Cambodian jungle, the pilot is taken captive by the Khmer Rouge. They instruct the kids of a village to keep an eye on the prisoner. While the younger kids gradually become friends with the stranger, the older boy called Pang has a different attitude. Since he grew up without parents, he accepted the Khmer rouge as his replacement parents and endears himself to them by betraying villagers. When Pang becomes responsible for watching the prisoner, things become worse for the pilot.
Opposing forces, a government soldier and a guerrilla are trapped together in the heavily-bombed area around the Guazapa volcano. After a hostile meeting, an unlikely friendship develops between the two. When they come across a lost girl in the jungle, they decide to take her back to her family, and the odd trio find themselves having to look out for each other.
Spring of 1942. A train with evacuated children from the Dvinsky orphanage falls under the bombing of the Nazis. After the raid, the children find themselves in the occupied territory in the area of operations of the Belarusian partisan detachment. To find the people's avengers, the Nazis decide to use children.
Inside a museum, nowadays. A diorama represents two young soldiers in the trenches. All of a sudden, we are thrown into the diorama: the immobile soldiers come to life, there is terror on their faces – the camera dances around them – explosions, chaos, fog: everything flies about in the air. With every gunshot, they shudder and curl up
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!