Westerplatte is a small peninsula at the entry to the Gdansk Harbour. Before World War II, it functioned as a Polish ammunition depot in the Free City of Danzig/Gdansk. Its crew consisted of one infantry company and a group of civilians, 182 people in total. It was the only Polish guard-post at the mouth of the Vistula River, with as little as five sentries, one field cannon, two anti-armour guns and four mortars. It was the first obstacle to Hitler's predatory march across Europe. The first shots of World War II were fired here. This film tells the story of Westerplatte's courageous defenders.
Patriotic university student Youngwoo and his friends, led by their teacher Lee Sung, along with a British friend bid farewell to their families and become freedom fighters in Manchuria fighting against the Japanese occupation around the Tumen River.
During World War II, a plane transfers Bulgarian antifascists from the USSR to Bulgaria. They jump with parachutes. The eighth paratrooper heads a guerilla group. In the group, there are doubts about the existence of a traitor. Initially, an innocent person is accused, but later the real traitor is caught and killed. Still, the most dangerous enemies of the guerillas are the colonel and the troops stationed in the nearby village. The battle between them and the guerillas is won by the latter who continue to fight for their cause.
Five soldiers of the Eighth Route Army fight heroically to cover the evacuation of local people from border area between Shanxi and Hebei provinces as the Japanese attack.
Based on true facts, the film revolves around 6 brave soldiers who escape from the clutches of the Pakistan Army and risk death with honour and courage with sacrifice towards their journey home.
When the planes bombed a Slovene town, a Slovene boy and a German girl set on a journey towards the valley, in which there is no war. On their way a black American pilot, who jumped of a shoot-down plane, joins them. Although American planes have killed the boy's parents, he accepts the pilot with enthusiasm. The children communicate with him in German and the valley of peace seems like the last paradise place of refuge. The Slovene boy, the German girl, and the American pilot represent a symbolic triangle of peace in this adventure happening in the middle of the War of Liberation.
Love triangle story between the village gendarme Đorđe, his wife Katarina and the young disabled war veteran Gavrilo during the time between First Balkan War and World War I.
At the beginning of World War I in a village in the country of La Marne, two families are against the marriage of their children. The war changes the positions.
Five Allied soldiers in an airplane flying to Egypt crash-land in Iraq. They are taken in by a local sheik, but soon begin to suspect that he may not be quite as friendly as he appears to be.
Torrential rains cause the swollen river, whose waters inundate a village. The current drags the cow Crebinsky and his brothers, who miraculously reappear alive in a place on the coast. Installed there at the foot of a lighthouse, which brings survive by sea. Isolated military conflicts, the brothers created their own world: a particular universe made of realism and fantasy.
Gilberte Montavon was a legend in her own lifetime. As a young woman, she was confidante to hundreds of thousands of Swiss-German speaking soldiers during the First World War, and remembered most of their names. She was still a teenager when the war began, and was immortalised by a song written during the war years by the Swiss-German bard and lute player, Hans Inn der Gand.
Gabriel, living in a post-war world, finds out that his cousin has been kidnapped. His cousin's life lies on his shoulders as he races to try and find the kidnapper.
In December 1987, the (first) Palestinian Intifada broke out and the Occupied Territories were set alight with a mass wave of demonstrations, protesting the ongoing Israeli occupation – the largest scale, longest-running ones seen in the area since 1967. The IDF was sent in to quash the uprising and before long, TV screens across the country were inundated with footage of burning tyres, stones thrown about, and baton-wielding Israeli soldiers chasing after teens and children. In the face of this new reality that made the question of the Occupied Territories the single most pressing issue of the time, the Jerusalem Film Festival went ahead and commissioned the following project. The result is a classic, Heffner-esque film – an intelligent labyrinth containing the most fundamental of Israeli tropes: The Holocaust; Arabs; us vs. them – all of which find themselves clashing and intermingling, and ultimately rendering the viewers helpless and cringing with awkwardness.
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