Between scenes from his concert in São Paulo's oft-inaccessible Theatro Municipal, rapper and activist Emicida celebrates the rich legacy of Black Brazilian culture.
When the Danish group Lukas Graham were starting out in 2012, they could never in their wildest dreams have imagined the journey they were embarking on. A journey, which would transport them from their humble roots in Copenhagen to performing on the GRAMMYs stage in Los Angeles.
A girl appears like a comet, shining small and bright. Her glorious singing voice overlaps with more than a million stars. Finally, the first stage arrives. Hoshimachi Suisei 1st solo live, STELLAR into the GALAXY. Let's observe together a dreamlike moment spent in the galaxy.
After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring everyone back together.
Alan Ladd was discovered by Sue Carol for his incredible voice in radio. And then she married him. In I Look At You, he is sweet and graceful. And at the very beginning of his career in film. He sings and leads Rita Rio's all-girl band while she dances around him.
CARO Vapor II is an exercise in imagination and a redefinition of what Brazilian popular music can be nowadays. From Rio’s samba jazz transported to the streets of Conjunto São Pedro in Fortaleza to Baião meeting the productions of the Neptunes, the artist understands old musical proposals as dreams of possible futures, pillars in the construction of a country whose work remains unfinished. Digging through these ruins and working their echoes in the present, he dares to envision another future. The exercises of imagining the past that haunt us have been exhumed and rebuilt. While this unfolds sonically, Don L’s pen reinforces: the Global South is what matters. Don scrutinizes the aspirations of what it means to be Latin American nowadays, in a world where virtually all experiences are heavily filtered by the internet and those in power. Territorial construction is also mental, provoking the listener by repeating, in new terms, the question: how much of your dreams was advertising?
Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…
On an ocean liner, a nightclub singer tries to help a fellow American romance an English heiress who is being forced to return home to marry a man she doesn't love. The American must avoid his boss who is traveling on the same vessel and disguises himself as a gangster traveling with a minister who is, in fact, a disguised gangster on the lam.
CMT Crossroads is the country version of MTV Unplugged. In this installment Kelly Clarkson and Reba McEntire perform their own hits together and chat about their Southern roots.
When Gräfin Mariza visits her country estate it is certainly an event. She gives a party to celebrate her engagement to a certain Koloman Zsupan, who unexpectedly shows up. Her authoritarian ways collide with Török, her manager. Based on Emerich Kálmán operetta.
At the age of 18, Rudy Love was touring the US with Little Richard. By the 1970s, he was working as a pilot vocalist for The Temptations and Marvin Gaye, his songs were being recorded by Esther Phillips and Isaac Hayes, and he was appearing on records with Ray Charles and Sly Stone. Yet, his solo career and the albums he produced with his Love Family band failed to achieve success, due partially to dodgy record label practices that saw his recordings distributed under the names of other artists. Now, at the age of 70, Rudy Love is beginning to see his work rediscovered by artists including Jay-Z, and is finally achieving the respect he has long deserved.
A Christmas classic revisited in dance form at the Finnish National Opera: Charles Dickens' A Christmas Carol. It's the story of Ebenezer Scrooge, a grumpy, miserly old man who, on Christmas Eve, is visited by the ghosts of Christmas past, present and future. A magical tale popular with all ages, adapted into a ballet by an all-British artistic team including composer Sally Beamish and choreographer David Bintley.
33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "33 1⁄3 revolutions per minute."
Documentary and live concert registration from the Savoy Theatre, june 1997. Tracklist: The Dress Rehearsal - Opening Night - Yesterday, When I Was Mad - The Truck Driver And His Mate - Se A Vida É - Hallo Spaceboy - To Step Aside - Go West - The Theatre - It's A Sin / I Will Survive - Discoteca - Can You Forgive Her? - Somewhere - Rent - Being Boring - Left To My Own Devices
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