This 1982 biographical television miniseries, as seen on PBS's Great Performances, dramatizes the life of this classic Italian composer known for operas including La Traviata, Rigoletto, and Aida and his Requiem.
The short features previously unseen Evangelion storyboard art. Evangelion director Hideaki Anno supervised the "petit film," and Mahiro Maeda directed and storyboarded it. Shiro Sagisu provided the music, and voice actress Megumi Hayashibara narrates the Japanese version of the English lyrics. Sagisu made a few comments about the video on his website and posted the Japanese version of the lyrics. According to Sagisu, when they were finishing work on Q, Anno told him this would be the last time they used the F2 (Next Episode) theme, which made Sagisu want to make a extended version of it. He says the video actually contains four versions of the song: An unreleased version by the London Studio Orchestra (at the start), the Takahashi version from Xpressions, the version from Piano Forte #1, and Hayashibara's narrated version.
Preetham loves Nandhini, whose marriage is already fixed. He feels bad and leaves the place. Nandini challenges him to win her heart. Preetham accepts the challenge.
La Cenerentola is Gioachino Rossini's version of the popular Cinderella story, an exciting mixture of comedy, pathos, coloratura fireworks and masquerade. This Glyndebourne production by John Cox captures perfectly the fairy-tale spirit of the piece, matched by Allen Charles Klein's imaginative scenery, distorted like three-dimensional cut-outs in an old-fashioned story book.
SU'ER is Yee's first solo concert, a performance that blended singing, dancing, and acting to create an immersive live experience. The entire show revolved around the theme of "SU'ER", a concept embodied by a recurring motif of an "enclosed truck." The concert explored the duality within each of us – the fearless, pioneering side (A Side) and the stable, compromising side (B Side). Through four distinct chapters, the audience witnessed the distinct personalities of A and B, as well as their moments of conflict and reconciliation. The fiery red of A Side represented the passionate inner self, while the cool white of B Side symbolized the composed outer self.
The Oscar-winning filmmakers Rob Epstein and Jeffrey Friedman have become treasured musicologists, first with their loving biography LINDA RONSTADT: THE SOUND OF MY VOICE (2019) and then with TAYLOR MAC’S 24-DECADE HISTORY OF POPULAR MUSIC (2022). Now, they turn their cameras towards Cuba, profiling four students at the Amadeo Roldan Conservatory. Though it has long been the nation’s most prestigious music school in a music-crazy nation, the conservatory struggles to maintain instruments for their students.
Concert film featuring sphere's first live Nippon Budokan performance on November 23, 2010. Sphere consists of Minako Kotobuki, Ayahi Takagaki, Aki Toyosaki, and Haruka Tomatsu.
Life on a conveyor belt seems great for Sushi and his Topping friends. But as he begins to contemplate his existence, Sushi wonders if there’s more to life than pimping himself out to savage consumers.
Folk song collector Dr. Šerk arrives in the remote village of Lesov. He is enchanted by the singing of sixteen-year-old Madla Satranová and he records her songs for radio broadcast. Šerk's friend, composer Jaroslav Klán, takes care of a group of orphans, from whom he has formed a choir. Šerk brings the orphaned Madla to him. The teenage girl begins to help the housewife Nána with the care of the children.
Drop out of school to ride with the Merry Pranksters. Form America’s most enduring jam band. Become a family man and father. Never stop chasing the muse. Bob Weir took his own path to and through superstardom as rhythm guitarist for The Grateful Dead. Mike Fleiss re-imagines the whole wild journey in this magnetic rock doc and concert film, with memorable input from bandmates, contemporaries, followers, family, and, of course, the inimitable Bob Weir himself.
Record executives want a highly-regarded record producer to focus on a white pop act whom they feel has the sound America wants. To keep his creative integrity, Buckmaster carefully begins to fight the system that has made him the respected producer he has become.
Caligula, the musical is an Argentine musical tragedy inspired by the life of the Roman emperor of the Julio-Claudian dynasty and ran for four seasons. It was written by Pepe Cibrián and original music by Martín Bianchedi. It premiered in 1983 in Buenos Aires, after the 1976-1983 dictatorship
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