Record executives want a highly-regarded record producer to focus on a white pop act whom they feel has the sound America wants. To keep his creative integrity, Buckmaster carefully begins to fight the system that has made him the respected producer he has become.
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| Directing | Sig Shore | Director |
| Production | Phillip Fenty | Associate Producer |
| Production | Ron Gorton | Associate Producer |
| Costume & Make-Up | William Lyon MacKenzie | Makeup Artist |
| Camera | Alan Stensvold | Camera Operator |
| Camera | Steve Wolper | Assistant Camera |
| Camera | Rick Raphael | Assistant Camera |
| Camera | Ellis St. Rose | Assistant Camera |
| Camera | David Greene | Second Assistant Camera |
| Production | Sig Shore | Producer |
| Writing | Robert Lipsyte | Writer |
| Editing | Bruce Wittkin | Editor |
| Production | Jerry W. Kisker | Production Manager |
| Crew | Bruce Wittkin | Post Production Supervisor |
| Directing | Steve Shore | Assistant Director |
| Art | Peter Kunz | Props |
| Art | Monroe Liebgold | Property Master |
| Sound | Bill Daly | Sound |
| Sound | Harriet Fidlow | Sound Effects Editor |
| Sound | Al Gramaglia | Sound Re-Recording Mixer |
| Sound | Samantha Heilwell | Boom Operator |
| Sound | Robert Post | Boom Operator |
| Sound | Robert Post | Sound Mixer |
| Sound | Dan Sable | Sound Effects Editor |
| Lighting | Michael F. Barrow | Chief Lighting Technician |
| Lighting | Robert Comer | Gaffer |
| Camera | David Greene | Second Assistant Camera |
| Camera | Butch Hazel | Grip |
| Camera | 'Big John' Marwick | Key Grip |
| Camera | Abe Schrager | Grip |
| Editing | Sandy Tung | Assistant Editor |
| Directing | Valerie Shepherd | Continuity |
| Production | Howard Levitt | Production Assistant |
| Camera | Alan Metzger | Director of Photography |
| Sound | Maurice White | Original Music Composer |
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