A journey between hope and dystopia in a hallucinated Kinshasa, from the culture of the hair salon to futuristic solitary clubbing, from an urban parade to a dictator's sense of glory to a modern western in the style of Takeshi Kitano.
In the darkness of a cave, one man who had never seen even his own figure found a hollow flooded with light. An expression of a chaotic world.
This experimental graduation film is a mixture of different animation techniques
Chronicles the early days of The Beatles in Hamburg, Germany. The film focuses primarily on the relationship between Stuart Sutcliffe, John Lennon, and Sutcliffe's girlfriend Astrid Kirchherr.
Omar, a construction worker, receives a strange voice message on his cell phone; even though no one speaks in the message, he hears the melody of a song amidst the noise of the recording. From that moment on, he begins a search to find the name of the song.
Documentary maker Jan Holman follows the ultrafamous singer/songwriter Jaromír Novahica during his tour with the band Cechomor. The combination is very succesful, but it draws a heavy toll on the band members and Jan Holman.
A live recording of Foetus' November 1990 performance in Manhattan's CBGB nightclub. It was released on VHS originally, and later onto DVD. It was also released as an album.
In Australia, four teenagers in a Sydney theater are astounded to hear the news that a nuclear war has broken out in Eastern Europe. They try to figure out the best way they can survive the coming conflagration.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
In the late 1960s, the Beach Boys' Brian Wilson stops touring, produces "Pet Sounds" and begins to lose his grip on reality. By the 1980s, under the sway of a controlling therapist, he finds a savior in Melinda Ledbetter.
A cathartic movement film expressing feelings and emotions through a 'story of movement and text', rather than a plot. Capturing emotion and physicality on an experiential and non-linear narrative level.
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