“GALICIA NON ARDE” is a short film that expresses the pain behind each provoked fire in Galicia during the summer of 2025. A young man goes to his town in Lugo after learning from the media that it is on fire, evoking a strong feeling inside him. Through photography, color, and sound, it seeks to create a sensory space where viewers can immerse themselves in a complete experience.
Three attempts at reconnecting with often traumatic pasts, all leading to flights from home and the need for personal reinvention. A documentary triptych of many layers and emotions, whose parts connect with each other in unexpected ways.
Hazy images created through a homemade pinhole camera: palm trees and parasols are reduced to flickering impressions of light and shadow. Familiar sounds of the scene are garbed by magnetic pulses. The title, taken from a jazz piece by Dave Holland, serves as an unheard soundtrack to a meditation on time and space.
One hundred years after the first flight between Belgium and the Democratic Republic of the Congo, Brussels Airlines approaches Collectif Faire-Part with a proposal to show their work on board their flights. Interwoven with archival footage and testimonies of activists and survivors of in-flight violence, the collective’s internal dialogue in What We Said to Brussels Airlines poses a variety of questions and opens up space for critical reflection.
Through the act of painting, Jinny explores uneasy and shifting realities - what does it mean to be a painter, and an activist? In an increasingly complex and divided world, artist Jinny Yu asks, what is on the other side of us? Through the act of painting, Jinny explores uneasy and shifting realities - what does it mean to be a painter, and an activist? Could one navigate being an insider and an outsider at the same time? Through this meandering conversation on migration which inspired her work for the 56th Venice Biennale, Don't They Ever Stop Migrating? we are brought along a journey of self discovery that leaves viewers with important questions we must ask ourselves. The film was a collaboration between Jinny and a team of frequent collaborators, Hingman Leung, Adrienne Row - Smith, and Justin Li, supported by the Agnes Etherington Art Centre.
The first movement of, "More Must Know the Wonder of my body in Pleasure", "of my body", is an exploration of grief and self through relationship and ritual with red burgundy okra.
Along the fragile border that separates and unites life and death, men and women cross the extreme landscapes of ending, searching in the silence of the contemporary world for one last fragment of meaning.
When their abusive father is murdered by a neighbour, two brothers must grapple with loss and liberty while navigating their friendship with the killer’s son. A deeply felt debut about the complexities of crime and inherited guilt.
Once hunted to extinction, the California Grizzly survives only as a symbol, frozen on the state flag, waving over the land it once roamed. A century later, will California bring back its lost icon or leave it in myth?
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