Riski (17) assigned by his teacher to make a short interview video about passion. At first, he doesn’t take it seriously until he ends up involving his three absurd friends, each with their own quirky passions, leading to laughter and chaos. Yet behind their jokes, a deeper question arises: what does Riski truly love? As the deadline approaches, he rediscovers a long-buried memory. Slowly, Riski realizes the true reason behind his love for capturing moments in life.
A poor girl named Mira enters a competition to hunt the Men’sia Kijank, a mythical creature believed to be a child-abducting monster. She is driven by the desire to cure her ailing mother. However, during the hunt in the Kelam Mountain forest, she is confronted with a dilemma when the creature appears before her in the perfect image of her mother. This encounter leads her to the realization that not all humans are humane, and not all monsters are monstrous.
"Not without my tractor!” demands the child. The father can say whatever he wants. If they have to move from the country to the city, they’re not going without their strong and faithful friend. In the adaptation of the picture book by Finn-Ole Heinrich and Dita Zipfel, the bright red cardboard tractor chugs steadily in stop motion throughout the film. When we see it climbing up the big-city houses, we get an idea of who will have the last word.
The flower is very keen for the strawberry to fill her day with all kinds of important activities and constantly pushes her to do so. But with her busy schedule, the strawberry is slowly reaching her limits and just wants a little snack.
In a small room, the filmmaker, the actor, and the camera gather to begin their film. But before the first shot is taken, they find themselves entangled in a subjective battle—confronting each other, and themselves.
Nothing special, just filmed some scenes outside a park and just rotoscoped over them. The purpose of this was to experiment and create background designs for later projects.
When creating the film “Only a Trace Remains,” a connection was established between the film and soil fungi, without the authors expecting to receive any specific results in return. However, the microorganisms were generous. Although part of the film is no longer on the reel, its traces continue to circulate in the ecological system. How can this complex connection be described?
90% of everything we consume is shipped to us by boat. Seablindness explores the interstitial space of ports where land meets the sea and capital circulates. On a journey along the varied edges, we intercept a radio call from stranded seafarers. This documentary poem explores ecological anxiety. It is not, however, about those who feel it, but for them
In a heart touching documentary celebrating the 10 year anniversary of her bestselling first book, YouTube chef Maangchi cooks with her family, friends, and fans.
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