Stéphane is a drifter, a man passing through, who quietly slips from house to house. One evening, he pushes open the door of a large estate and comes face to face with a corpse. With Christian, a stranger he meets there, they decide to bury it.
Robert Morin's camera roams through Rome, a phantom crossing borders, observing six individuals who migrated to the city from Africa. At night, television screens play Vittorio De Sica's Bicycle Thieves; by day, news broadcasts, comedians, and onlookers watch with an almost Orwellian detachment as human life struggles forward in its quest for dignity. Morin continues his numerology of the world in a film that draws on the history of cinema to confront a reality riddled with meaningless screens. A finale that shatters the mirror. And stitches it back together.
Omo Baba is an evocative and poignant documentary that delves deep into the father-son relationship, exploring the generational impact of upbringing, trauma, and the pursuit of breaking free from inherited pain. Initiated by Nelson Adeosun, the son, this film seeks to understand his upbringing by examining his father Adedayo's past, revealing a cycle of emotional scars that have persisted through generations.
This deeply exploratory work is drawn exclusively from the eclectic personal and public archive, in multiple formats, of Andrea’s life until their lasting estrangement from both parents, aged 30.
Eli, an autistic boy, goes on a date. The girl he's meeting, Sara, even says she's looking forward to it. However, within an hour they realize it was a serious misunderstanding.
This final movie concludes the serie "Unser Hof – Mit Cheyenne und Nino". It offers viewers an intimate look into the daily life of Cheyenne Ochsenknecht (daughter of German actor Uwe Ochsenknecht) and her husband, farmer Nino Sifkovits, as they run their farm, the Chianinahof, in Dobl, Styria, Austria.
Mina, a clumsy culinary student, is forced to cook for a mysterious man when her coursework is due the next day. However, there may be more to this man than first thought.
In Their Own Time is a narrative journey of three women - Srija, Tuhnu, and Jhumur, as they reflect on love, loss, childhood, friendship, and belonging over three years; we never see their faces, as the evolution of their experiences is manifested by an inherently dynamic and increasingly personal kaleidoscope of the city and suburbs of Kolkata.
In a heritage site undergoing maintenance, two voices discuss the interiors of the room, the story of a boulder encountered in a mountain house, and the dust that keeps coming back.
Carrying Breath Between Ancestors layers the Pine Barrens wetlands’ textures, decay, accumulations, and field recordings with a ceremonial hand dance in the sky to create ancestor time and tactile invitations. The word Papashèi, a Lenape word meaning the way breathing moves the body while sleeping/dreaming opens the video. The work speaks to moira’s tactile memory, ancestral land and legacies of familial refuge and disabilities connected to the wetlands. The installation version includes a touchscreen and VibraTech that vibrates with the field recordings.
Through the lens of a child experiencing their first death of a pet, this video work muses on the ways that humankind distances itself from the truth of our animality, and how the digital realm we have fortified in the past 20 years pretends to be separate from our physical plane.
Song Without Words, a two-movement short film by pianist and artist Olivia Ting, explores the gestures of piano, conducting, and sign language to reveal listening as an embodied act through distorted sound and visual rhythm.
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