US marshal Lawlor (Starrett) takes on a gang of cattle rustlers headed by Taylor (Dick Curtis). His reasons are partly personal: Conway (Edward LeSaint), the cattle-baron father of Lawlor's sweetheart Madge (Meredith), has been murdered by Taylor's minions.
Rambabu, a delivery agent, escapes through the forest with a girl he rescued from goons. He encounters a cast of characters each with their own agenda. A serial killer lurks in the shadows, adding to the tension.
Madge Evans, World Film Corp. juvenile star, is sent to her Quaker grandparents, Timothy and Tabitha Mendenhall, when her father and mother go to serve in World War I. After bidding farewell to the World stars, Madge goes to her grandparent's home where she experiences stern discipline.
Aimée, a young professional photographer whose job it is to follow boss Gustav, a world-famous photographer himself. As the holidays approach, Aimée receives notice that her family's traditional Christmas celebrations are under threat.
A newly appointed small-town sheriff and his begrudging deputy get tangled up in a web of lies and corruption involving shady businessmen and the cartel while investigating the murder of a mysterious woman.
Indestructible to his enemies and irresistible to women, the professional assassin codenamed Golgo 13 is shrouded in mystery and anonymity. If you're on his hit list, you're already dead. Always hired on his reputation alone, Golgo never breaks a contract. Can he survive the combined forces of the FBI, CIA, the Pentagon and the U.S. Army? Has the nameless agent finally met his match against the superhuman powers of the Snake and the twin evils of the psychopathic mercenaries, Gold and Silver?
After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious vampire clientele.
NEW SHORES is a sister film to IN THE STONE HOUSE in many ways. Like the latter film, it consists of earlier footage edited in recent years. It could be seen as a sequel to IN THE STONE HOUSE especially since it begins with a cross-country journey to the West Coast, where I settled, and concludes with a visit, in 1987, to the “stone house” in rural New Jersey. Even though there is some sort of time line that can be imagined, the film stands on its own. It is simply a series of episodes that touch upon facets of living in a new area with new weather, new people, new identities and stubborn old fears. The Bolex camera goes to work across landscapes and living areas, workplaces and gatherings. A dance of images: can beauty partner with dread and death? It’s a film of the coexistences that percolate beneath the surface of ordinary events. A film of useless hopes and baseless fears.
During an international rally two contestants find a hidden painting in the door of their car. In order to not get removed from the track riders do not report to their team management.
Desperate to leave her parents' house and start a new life with her boyfriend Kabir, Sonia agrees to deliver a mysterious package for her friend. Will her decision help her fulfil her desires?
Two Jewish boys escape from a train transporting them from one concentration camp to another. Beyond themes of war and anti-Nazism, the film concerns itself with man's struggle to preserve human dignity.
Chuck brought sorrow to his family when he shot his father who is now a semi-invalid. After 15 years of self destruction, he returns home to seek forgiveness.
Jithu falls in love with his college-mate Binu. He thrashes a drug dealer to save his friend, but problems arise when he decides to take revenge against Jithu.
Tommy McCoy grew up poor and scrappy. As a young man he discovers that he can fight with his powerful right arm. He becomes successful at boxing, however he has an alcoholic father.
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