A forgotten musical record connects Caracas to Tehran, revealing untold stories of oil, not as a commodity, but as a political leverage for the liberation struggles in Palestine and building Pan-Arab solidarity between 1960-1970.
Isaac “Drift” Wright, a self-taught photographer and Army veteran haunted by trauma, finds healing through breathtaking, illegal climbs of the world’s tallest structures. But his pursuit of art sparks a high-stakes battle with law enforcement in this intimate portrait of risk, resilience, and freedom in modern America.
In a time of political turmoil, a striking factory worker struggles to find sexual satisfaction. As unrest turns to violence, his desire takes him down an unexpected path.
Sixty years after the original fight that saved it from being mined, Ellison Reef once again becomes a touchstone for what's at stake as climate change accelerates.
Paul Wendkos was a bit of an auteurist fetish object in the early 1960's, when his career in theatrical features reached its pinnacle. He made his mark with such genre outings as The Burglar (1957) and Face of a Fugitive (1959), as well as with the hit Gidget (1959) and his acclaimed indictment of evangelicalism Angel Baby (1961). Many of the finest critics and film writers wrote of his style admiringly, even as studio contracts regularly saddled him with empty commercial vehicles. Quentin Tarantino even credited him as the director of the faux action saga The 14 Fists of McCluskey in his Once Upon a Time...in Hollywood. What is there to Paul Wendkos when we look at him and his work today?
he film tells the story of Esteri, a transgender girl who has only recently come out of the closet and has a crush on her childhood friend Teemu. Does she dare to tell him her feelings, and are they the only thing she should have told him?
A powerful documentary that follows gay Namibian activist Friedel Dausab as he challenges his country’s criminalisation of same-sex love. In June 2022, Friedel files a landmark lawsuit against the government, becoming a beacon of hope for LGBTQIA+ Namibians seeking safety and equality. Facing death threats, public hostility, and immense personal risk, he takes his fight to court while awaiting judgment. The film also traces the colonial roots of queer criminalisation—from Tudor England to its export across the Global South through empire and later reinforced by Christian evangelism. Alongside fellow activists from Sri Lanka and Barbados, Friedel travels to London, where history, protest, and Pride converge. Blending legal battle with historical insight, the documentary is both an urgent exposé of injustice and a stirring celebration of queer resilience, courage, and resistance.
Twenty years after her mother’s death, Laura returns to the family home in Cauca, Colombia. Born from an absence, the film moves through women’s voices, silences, and echoes of the past. A gesture of remembrance, between lingering light and the darkness of oblivion.
The Ascent is the inspiring true story of Colorado Springs bilateral-amputee climber Mandy Horvath's record-breaking attempt to crawl to the summit of Mt. Kilimanjaro and the mysterious circumstances under which she lost her legs at the age of 21.
When an enigmatic young woman arrives in a remote English village the locals are both intrigued and wary, their suspicions growing as she begins delving into their darkest secrets.
UFC Fight Night 271: Adesanya vs. Pyfer (also known as UFC Fight Night: Adesanya vs. Pyfer) was a mixed martial arts event produced by the Ultimate Fighting Championship that took place on March 28, 2026, at the Climate Pledge Arena in Seattle, Washington, United States.
An Anthology about Greek Mythology from the point of view of a college student who's trying to save his grade. Going through stories such as Pandora's Box, Nymph, Narcissus, Orpheus and Eurydice, and finally Theseus. Each one reflecting how Mythology might not be history, but examples of who we are as people.
Lucy, a trans girl, sets out on a journey to undergo gender reassignment surgery. Both the bus driver and the passengers discriminate against her. But she bonds with Braian, who turns out to be part of a gang that robs all the passengers, putting her long-desired intervention in jeopardy.
While Amanda and Caio, a transgender couple, try to create a home together, they face professional problems, differences of opinion, and external pressures, depicting a journey of love, commitment, and personal discoveries. In this new chapter of their lives, they discover that the plans they made together may no longer make sense.
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