The custom of making motanka dolls is ancient, rich in myths and legends. There is a belief that they help their owner. The main character of the film is a 12-year-old teenage girl, she studies at an art school, but does not believe in her abilities and goes through a coming-of-age crisis with the help of a Slavic doll. By wrapping a doll, its owner goes through a certain stage of growing up and forms her inner world. The doll sometimes helps her cope with difficult situations, and sometimes it does the opposite.
Birgit is a pastor who has always lived a quiet, predictable life, closely following the path laid out by her parents. But one day, someone from her past unexpectedly shows up during a sermon—someone she once loved—she’s forced to revisit a part of herself she thought was long gone. As buried feelings resurface, Birgit must ask herself: can the past offer strength, or only heartache?
Frankenscience and religious ideology reanimate a cohort of recently deceased fetishists to create the perfectly subservient woman only to unleash hell on the patriarchy.
Three friends with broken lives, Poncho, Memo and Daniela, find a bag filled with cash in a secluded cabin. This creates conflict between them, putting their friendship at risk, as the money could solve the problems of only one of them.
When Bev, a small-town grandmother, reluctantly takes her dog 'Bear' to the vet to be put down, she encounters a fanatical animal lover who questions her decision.
A personal story set against the backdrop of the 1980 Irpinia earthquake, narrated by a father to his son. This event becomes a universal paradigm for exploring the story of those who were forced to leave their homes and migrate. People are intrinsically linked to places, and these places hold the memory of those who inhabited them.
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