An Anthology film about four segments surrounding the same monster. Deep in the heart of the jungle exists an elemental creature with an eternal hunger, and every 25 years, it emerges: a woman is eaten alive in 1969, a film crew goes missing in 1994, a politician explodes live on television in 2019, and a multinational corporation goes up in flames in 2044.
Italy, 1989. After years of hard training, 13-year-old Felice, carrying his father's expectations on his shoulders, finally sets out to compete in the national tennis tournaments. While dreaming of a simple summer vacation, he's instead placed under the wing of ex tennis champion Raul, an unconventional coach hired by his father. Match after match, the two embark on a journey that will lead Felice to discover the taste of freedom, and Raul to glimpse the possibility of a fresh start. As they travel along the Italian coast, an unexpected, deep, and sincere bond between them develops.
Naples faces dual volcanic threats from Vesuvius and Campi Flegrei. Amid increasing tremors, archaeologists work as residents live anxiously, haunted by Pompeii's fate while emergency services strain.
With a taxidermy parrot and pistol in hand, Praxi, breaks into the home of a mute spiritual guru who trapped his lover’s soul inside the parrot years ago. Praxi must convince the guru’s estranged daughter to guide her father in freeing his lover’s soul in this darkly comedic tale of love and the afterlife.
At his son’s gallery opening, a reserved father must confront years of emotional distance between them before their last chance at connection slips away.
The punk universe of "The King and the Jester" is threatened with destruction. The fairy-tale world is collapsing under the footsteps of the dead, resurrected by the mad Necromancer. No one can defeat the villain except his creators - friends separated by death... Pot and Prince.
At the Maison des Femmes, women victims of violence are cared for. Elsewhere, they are threatened, brutalized, raped, mutilated, their suffering ignored. Here, they are listened to, supported, helped and believed. Diane, Manon, Inès, Awa and the others will give them a helping hand until they can stand up again. As a team. Even if it means risking their own equilibrium.
Sister Kathy finds an angry loner in need of redemption and leads him to his atonement by conning him into creating a football team for her Catholic School.
A depressed, dysfunctional physicist accidentally sent back in time tries to fix her future by mentoring her troubled 14-year-old self: a whole-ass handful with her own mischievous agenda.
Mukhila's Father Murthy comes to know about Arul and Mukhilas love affair. Murthy, who works as a boat mechanic, kidnaps Arul in a boat and beats him up. He plans to kill Arul so that he will not fall in love with his daughter. When the boat breaks down in the sea, Murthy, foot stuck in the motor and is both of them survived the rainstorm or not.
Groom-to-be Tim must pull off two perfect weddings on the same night, at the same five-star hotel, all without his divorced parents discovering each other.
A survival drama about an ice skater stranded on an ice floe at the Arctic Sea. When the ice floe starts to float towards south and melt, the ice skater must use all means necessary to survive.
Why did she die? The Supreme Court first sentenced her to death, but then commuted her sentence to life imprisonment and sent her to Tochigi Women's Prison. What happened before she took her own life there? Based on her tanka poems, which convey her raw voice, the film explores her lone fight during the 121 days between her death sentence and suicide, a period that has remained obscure to date.
A romantic comedy centered on Mia, a self-centered witch with an unusual power: anyone who kisses her either falls in love with her or falls back in love with the last person they loved. During one of her rounds, Mia encounters Yuri, who is heartbroken after breaking up with René. But when the witch convinces him to see her work, something unexpected happens — Mia falls in love with the young man’s ex-girlfriend.
The film opens on a tale with animated figurines in miniature settings reconstructing Fida’s childhood during the war. It then shifts to a documentary style with a series of real confrontations between Fida and ex-militiamen manipulating the small figurines. The miniature material becomes a bridge between different subjective stories, infusing the collective history with individual details. The experience of this confrontational space turns out to be cathartic. The narrative moves around between realities and temporalities.
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