During America’s Civil War, Union spies steal engineer Johnny Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.
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Camera | Bert Haines | Director of Photography |
Production | Joseph M. Schenck | Producer |
Directing | Buster Keaton | Director |
Writing | Clyde Bruckman | Screenplay |
Camera | Devereaux Jennings | Director of Photography |
Editing | Buster Keaton | Editor |
Art | Fred Gabourie | Art Direction |
Art | Harry Roselotte | Set Decoration |
Directing | Clyde Bruckman | Director |
Editing | Sherman Kell | Editor |
Production | Buster Keaton | Producer |
Writing | Buster Keaton | Screenplay |
Camera | Dal Clawson | Still Photographer |
Camera | Elmer Ellsworth | Camera Operator |
Directing | Edward Hearn | Assistant Director |
Production | Harry Brand | Production Coordinator |
Camera | Byron Houck | Camera Operator |
Costume & Make-Up | Fred Carlton Ryle | Makeup Artist |
Crew | Buster Keaton | Stunts |
Crew | Earl Mohan | Stunts |
Camera | Frank Barnes | Grip |
Production | Fred Gabourie | Production Manager |
Crew | Glen Cavender | Second Unit |
Art | Frank Barnes | Construction Foreman |
Camera | Harry J. Wild | First Assistant Camera |
Writing | Al Boasberg | Adaptation |
Writing | William Pittenger | Book |
Writing | Charles Henry Smith | Adaptation |
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