Confederate super-spy Johnny and his partner in crime Steve travel to San Francisco near the end of the Civil War, masquerading, respectively, as a singer/guitar instructor and a magic-elixir vendor. Once there, Johnny dons a fake wig, beard and mustache, and steals Union gold to bring back to the South, aided by a guitar that doubles as a gun.
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| Directing | Michael D. Moore | Director |
| Writing | Robert E. Kent | Screenplay |
| Crew | Wilda Taylor | Choreographer |
| Crew | Loren Janes | Stunts |
| Production | Sam Katzman | Producer |
| Production | Jerome F. Katzman | Associate Producer |
| Sound | Fred Karger | Original Music Composer |
| Camera | W. Wallace Kelley | Director of Photography |
| Editing | Ben Lewis | Editor |
| Art | George W. Davis | Art Direction |
| Art | Merrill Pye | Art Direction |
| Art | Henry Grace | Set Decoration |
| Art | Joseph J. Stone | Set Decoration |
| Costume & Make-Up | Mary Keats | Hairstylist |
| Costume & Make-Up | John Truwe | Makeup Artist |
| Costume & Make-Up | William Tuttle | Makeup Artist |
| Directing | Donald C. Klune | Assistant Director |
| Sound | Franklin Milton | Recording Supervision |
| Sound | Fred Karger | Conductor |
| Production | Robert G. Stone | Production Coordinator |
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