NYPD Detective Mike Logan, who was reassigned to Staten Island after punching a corrupt politician, takes on a grisly murder case. When the investigation leads him back to the 27th Precinct, Logan sees a chance to resurrect his flailing career and be reinstated as a homicide detective.
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| Art | Kenneth Hammer | Construction Coordinator |
| Camera | George Pattison | Camera Operator |
| Camera | John R. MacDonald | Second Assistant Camera |
| Production | Lynn Kressel | Casting |
| Production | John L. Roman | Unit Production Manager |
| Camera | Frank Rinato | First Assistant Camera |
| Camera | Jessica Burstein | Still Photographer |
| Lighting | Samuel G. Friedman | Best Boy Electric |
| Sound | Kevin Meehan | Boom Operator |
| Art | Darrell K. Keister | Art Direction |
| Art | Karen Kates | Assistant Property Master |
| Sound | Bill Daly | Sound Mixer |
| Costume & Make-Up | Chuck Casey | Wardrobe Supervisor |
| Crew | Judith Craig Marlin | Post Production Supervisor |
| Directing | Christopher Swartout | First Assistant Director |
| Costume & Make-Up | Leslie Yarmo | Costume Designer |
| Lighting | Joseph Sciretta | Gaffer |
| Costume & Make-Up | Carla White | Makeup Artist |
| Camera | Paul Volo | Key Grip |
| Art | Alan Hicks | Set Decoration |
| Crew | Calvin Brown | Stunt Coordinator |
| Directing | Peter Leto | Second Assistant Director |
| Camera | Francis Spieldenner | Camera Loader |
| Art | Bruce Swanson | Leadman |
| Art | Mark Peltzer | Property Master |
| Costume & Make-Up | Victor DeNicola | Hairstylist |
| Production | Dick Wolf | Executive Producer |
| Writing | Dick Wolf | Characters |
| Editing | Cindy Mollo | Editor |
| Writing | Charles Kipps | Story |
| Sound | Tim Grace | Sound Recordist |
| Camera | Glenn Kershaw | Director of Photography |
| Production | Carlos Moore | Location Manager |
| Production | Gary van der Meer | Location Manager |
| Editing | Pamela March | Assistant Editor |
| Sound | Ron Horwitz | Supervising Sound Editor |
| Sound | Tom Meloeny | Sound Re-Recording Mixer |
| Production | Domenic Andreoli | Extras Casting |
| Production | Charles Kipps | Co-Executive Producer |
| Sound | Harry Woolway | Sound Editor |
| Art | Teresa Carriker-Thayer | Production Design |
| Sound | Libby Pedersen | Music Editor |
| Directing | Nina Jack | Second Second Assistant Director |
| Sound | Mike Post | Original Music Composer |
| Production | Jamie Blank | Assistant Production Coordinator |
| Directing | George Camarda | Script Supervisor |
| Sound | Andrew Spencer Dawson | Sound Editor |
| Production | John L. Roman | Producer |
| Production | David O'Shaughnessy | Production Coordinator |
| Production | Susie Farris | Casting Assistant |
| Sound | Bill Nicholson | Sound Re-Recording Mixer |
| Editing | Gordon Young | Negative Cutter |
| Directing | Jean de Segonzac | Director |
| Writing | Charles Kipps | Teleplay |
| Writing | Chris Noth | Story |
| Crew | Blaise Corrigan | Stunts |
| Costume & Make-Up | Rose Wells | Key Costumer |
| Camera | Charlie Marroquin | Best Boy Grip |
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