Jack Carver, a former member of the Special Forces takes the journalist Valerie Cardinal to an Island to visit her uncle Max who is working in a Military complex on the Island. As they arrive Valerie gets captured by the minions of Doctor Krüger. After the destruction of his boat Jack finds out about the true purpose of the Facilities on the Island, which is the creation of genetic soldiers.
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| Writing | Michael Roesch | Screenplay |
| Production | Wolfgang Herold | Executive Producer |
| Writing | Peter Scheerer | Screenplay |
| Directing | Uwe Boll | Director |
| Sound | Jessica de Rooij | Music |
| Production | Eyde Belasco | Casting |
| Production | Uwe Boll | Producer |
| Production | Shawn Williamson | Producer |
| Costume & Make-Up | Carla Hetland | Costume Design |
| Production | Maureen Webb | Casting |
| Art | Vince Zastre | Greensman |
| Camera | Mathias Neumann | Director of Photography |
| Art | Ide Foyle | Set Decoration |
| Costume & Make-Up | Leah Schweiger | Hairstylist |
| Crew | Danny Nowak | Second Unit Cinematographer |
| Crew | William Wanstrom | Unit Publicist |
| Costume & Make-Up | Charmaine Clark | Hairstylist |
| Crew | Leeann Charette | Makeup Effects |
| Art | Jay Robinson | Lead Painter |
| Crew | Ed Anders | Stunt Coordinator |
| Camera | Jim Stacey | Camera Operator |
| Camera | A.J. Vesak | Helicopter Camera |
| Directing | Debra Margolis | Script Supervisor |
| Crew | Graham Johnston | Scenic Artist |
| Sound | Jochen Engelke | Sound Re-Recording Mixer |
| Visual Effects | Sven Pannicke | Visual Effects Producer |
| Directing | Joecy Shepherd | Script Supervisor |
| Visual Effects | Doug Oddy | Visual Effects Supervisor |
| Crew | Gordon Alyward | Transportation Coordinator |
| Costume & Make-Up | Trudy Parisien | Makeup Artist |
| Art | Allan Burdett | Construction Coordinator |
| Crew | Jak Osmond | Special Effects Coordinator |
| Visual Effects | Phil Jones | Visual Effects Supervisor |
| Costume & Make-Up | Danna Rutherford | Hairstylist |
| Camera | Junichi Hosoi | Camera Operator |
| Editing | Karen Porter | Editor |
| Visual Effects | Florian Gellinger | Visual Effects Supervisor |
| Camera | Braden Haggerty | Underwater Camera |
| Costume & Make-Up | Naomi Bakstad | Makeup Artist |
| Art | James Summers | Greensman |
| Camera | John Davidson | Camera Operator |
| Art | Catherine Ircha | Art Direction |
| Costume & Make-Up | Tanya Howard | Makeup Artist |
| Art | Iesza Jessica Jordan | Assistant Art Director |
| Sound | Manuel Karakas | Sound Designer |
| Visual Effects | Colleen Jenkinson | Visual Effects Producer |
| Sound | Gina Ponting | Dolby Consultant |
| Lighting | Paul Slatter | Gaffer |
| Art | Tink | Production Design |
| Art | Melanie Haines | Art Department Coordinator |
| Art | Richard Schultz | Greensman |
| Visual Effects | Christel Brunn | Visual Effects Producer |
| Editing | Deirdre Bennett | Digital Intermediate |
| Crew | Kyla Rose Tremblay | Makeup Effects |
| Sound | Peter Roigk | Foley |
| Camera | Quincy Paglaro | Camera Operator |
| Production | Terry Mackay | Location Manager |
| Art | David Dowling | Property Master |
| Crew | Doug Chapman | Stunts |
| Crew | Rick Pearce | Stunts |
| Crew | Janene Carleton | Stunts |
| Crew | Brett Armstrong | Stunts |
| Crew | Owen Walstrom | Stunts |
| Crew | Laura Lee Connery | Stunts |
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