The main character is crazy about about depicting various anomalies in art. Accidentally he finds a cinematography archive which makes him advance a completely new theory on the reasons why humans became bipedal. Yufit proceeds with the plot by describing a scientist struggling against the epidemic wave of anomalies in the physical and mental world thematically started in his other films. This time the struggle takes place on the background of paleoanthropology, psychoanalysis and modern art. As materials of the Museum of Anthropology and other archives are included in the film, it oversteps the boundary between a feature film and documentary.
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| Directing | Evgeny Yufit | Director |
| Crew | Lyudmila Krasnova | Special Effects |
| Visual Effects | Oleg Plaksin | Visual Effects Camera |
| Production | Sergei Selyanov | Producer |
| Production | Igor Kalenov | Producer |
| Art | Evgeny Yufit | Production Design |
| Camera | Evgeny Yufit | Director of Photography |
| Production | Evgeny Grigoryev | Executive Producer |
| Sound | Vazha Bzikadze | Sound Director |
| Sound | Kirill Morozov | Sound Director |
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