A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
Is Pulp Fiction on Netflix? Yes! The movie Pulp Fiction is now on Netflix in the countries listed below.
Production | Danny DeVito | Executive Producer |
Production | Michael Shamberg | Executive Producer |
Costume & Make-Up | Betsy Heimann | Costume Design |
Production | Stacey Sher | Executive Producer |
Art | David Wasco | Production Design |
Production | Lawrence Bender | Producer |
Camera | Andrzej Sekula | Director of Photography |
Lighting | Vance Trussell | Gaffer |
Production | Paul Hellerman | Production Manager |
Writing | Quentin Tarantino | Screenplay |
Art | Charles Collum | Art Direction |
Art | Sandy Reynolds-Wasco | Set Decoration |
Production | Ronnie Yeskel | Casting |
Editing | Sally Menke | Editor |
Production | Gary M. Zuckerbrod | Casting |
Production | Bob Weinstein | Co-Executive Producer |
Production | Richard N. Gladstein | Co-Executive Producer |
Sound | Kathy Nelson | Music Supervisor |
Sound | Karyn Rachtman | Music Supervisor |
Costume & Make-Up | Jacqueline Aronson | Costume Supervisor |
Crew | Heidi Vogel | Post Production Supervisor |
Production | Jeff Olan | Casting |
Costume & Make-Up | Mary Claire Hannan | Assistant Costume Designer |
Camera | Ziad Doueiri | First Assistant Camera |
Costume & Make-Up | Bill Fletcher | Wigmaker |
Costume & Make-Up | Michelle Bühler | Makeup Artist |
Editing | Donald Likovich | Assistant Editor |
Costume & Make-Up | Audrey Futterman-Stern | Key Hair Stylist |
Production | Ruth Lambert | Casting Associate |
Costume & Make-Up | Patia Prouty | Set Costumer |
Lighting | Bruce Jagoda | Electrician |
Crew | Ken Lesco | Stunt Coordinator |
Crew | Jennifer Beals | Thanks |
Editing | Mike Stanwick | Color Timer |
Sound | Dean Beville | Sound Editor |
Crew | Andrew Dickler | Editorial Staff |
Costume & Make-Up | Linda Arnold | Hairstylist |
Art | Peter Borck | Leadman |
Costume & Make-Up | Iain Jones | Hair Designer |
Crew | Deborah Wuliger | Unit Publicist |
Crew | Iain Jones | Set Production Assistant |
Sound | Dana Gustafson | Assistant Sound Editor |
Art | Samantha Gore | Assistant Art Director |
Art | Brian Markey | Construction Coordinator |
Camera | Bob Gorelick | Steadicam Operator |
Lighting | Marc Meisenheimer | Rigging Gaffer |
Art | Adam Silver | Location Scout |
Art | Giuseppe Maini III | Painter |
Sound | Larry Scharf | Boom Operator |
Camera | Michael Levine | Camera Operator |
Crew | Alonzo Brown Jr. | Driver |
Camera | Mark Shane Davis | Key Grip |
Sound | Matthew C. Beville | Sound Recordist |
Camera | Chris Ahern | Grip |
Editing | Tatiana S. Riegel | First Assistant Editor |
Production | Anna-Lisa Nilsson | Production Coordinator |
Art | Emily Wolfe | Art Department Coordinator |
Crew | Ruben Cortez | Security |
Directing | Francis R. Mahony III | First Assistant Director |
Sound | Ken King | Production Sound Mixer |
Art | Daniel Bradford | Set Designer |
Crew | Gary L. Brennan | Carpenter |
Lighting | Anthony Hall | Best Boy Electric |
Sound | Rolf Johnson | Music Editor |
Art | Marc Gillson | Lead Painter |
Crew | Ben Parker | Post Production Assistant |
Art | Jonathan R. Hodges | Property Master |
Crew | Cameron | Stunts |
Crew | Larry Fioritto | Special Effects Coordinator |
Crew | Derek Raser | Transportation Coordinator |
Sound | Stephen Hunter Flick | Supervising Sound Editor |
Art | Ray Maxwell | Construction Foreman |
Crew | Derek Hurd | Craft Service |
Crew | Thomas L. Bellissimo | Makeup Effects |
Costume & Make-Up | Joseph W. Grafmuller | Set Dressing Artist |
Crew | Cameron | Stand In |
Directing | Martin Kitrosser | Script Supervisor |
Crew | Linda R. Chen | Thanks |
Crew | Rory Dauson | Stand In |
Crew | Emanuel Steward | Thanks |
Crew | Bill Unger | Thanks |
Crew | Lou Arkoff | Thanks |
Sound | Kristen Becht | Assistant Music Supervisor |
Sound | Billy Gottlieb | Assistant Music Supervisor |
Crew | Stephen Martines | Thanks |
Crew | Ricardo Mestres | Thanks |
Crew | Agnès B. | Thanks |
Crew | Cathryn Jaymes | Thanks |
Production | Harvey Weinstein | Co-Executive Producer |
Crew | Lee Stollman | Thanks |
Crew | Mike Simpson | Thanks |
Crew | Scott Spiegel | Thanks |
Writing | Quentin Tarantino | Story |
Writing | Roger Avary | Story |
Production | Barbara Harris | ADR Voice Casting |
Crew | Kevin McTurk | Special Effects Assistant |
Production | John A. Johnston | Assistant Location Manager |
Crew | Chris L. Winslow | Charge Scenic Artist |
Directing | John W. Hyde Jr. | Second Second Assistant Director |
Sound | Jeff Courtie | ADR Mixer |
Camera | Gregory C. Smith | Second Assistant Camera |
Production | Kara Mazzola | Post Production Coordinator |
Directing | Kelly Kiernan | Second Assistant Director |
Art | Liz Chiz | Assistant Decorator |
Art | Chris Cullen | Graphic Designer |
Crew | Terry Jackson | Stunt Double |
Camera | Robbie Meckler | Best Boy Grip |
Production | Cheryl Cain | Assistant Production Coordinator |
Camera | Angelo de la Cruz | Camera Loader |
Sound | Chuck Kelley | Music Consultant |
Production | Zane | Assistant Accountant |
Production | Bradley Morris | Production Secretary |
Art | John Felgate | Assistant Property Master |
Sound | Catherine Rowe | Foley Artist |
Sound | Ezra Dweck | Foley Mixer |
Sound | Judee Flick | Supervising ADR Editor |
Sound | Mary Ramos | Music Coordinator |
Camera | Alan Parr | Dolly Grip |
Lighting | Michael Stocks | Key Rigging Grip |
Costume & Make-Up | Kristin Dangl | Costumer |
Production | Haley Sweet | Location Assistant |
Crew | Michael Haddad | Assistant Craft Service |
Art | Steve Ingrassia | Swing |
Directing | Quentin Tarantino | Director |
Crew | Kevin McTurk | Special Effects Technician |
Crew | Andrew Ambrose | Special Effects Assistant |
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