After a gentle alien becomes stranded on Earth, the being is discovered and befriended by a young boy named Elliott. Bringing the extraterrestrial into his suburban California house, Elliott introduces E.T., as the alien is dubbed, to his brother and his little sister, Gertie, and the children decide to keep its existence a secret. Soon, however, E.T. falls ill, resulting in government intervention and a dire situation for both Elliott and the alien.
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Sound | John Williams | Original Music Composer |
Directing | Steven Spielberg | Director |
Production | Steven Spielberg | Producer |
Production | Kathleen Kennedy | Producer |
Production | Jane Feinberg | Casting |
Production | Mike Fenton | Casting |
Production | Marci Liroff | Casting |
Production | Frank Marshall | Production Supervisor |
Visual Effects | Robert Elswit | Visual Effects Camera |
Visual Effects | Dennis Muren | Visual Effects Supervisor |
Sound | Samuel C. Crutcher | Sound Effects Editor |
Crew | Ted Grossman | Stunts |
Sound | Richard C. Franklin | Sound Effects Editor |
Costume & Make-Up | Deborah Lynn Scott | Costumer |
Writing | Melissa Mathison | Screenplay |
Production | Melissa Mathison | Associate Producer |
Camera | Allen Daviau | Director of Photography |
Editing | Carol Littleton | Editor |
Art | James D. Bissell | Production Design |
Art | Jackie Carr | Set Decoration |
Costume & Make-Up | Robert Sidell | Makeup Artist |
Art | Leslie Butcher | Art Department Coordinator |
Sound | Charles L. Campbell | Supervising Sound Editor |
Crew | Dale L. Martin | Special Effects |
Visual Effects | Al Bailey | Visual Effects |
Crew | Glenn Randall Jr. | Stunt Coordinator |
Directing | Glenn Randall Jr. | Second Unit Director |
Crew | Richard E. Butler | Stunts |
Crew | Carlo Rambaldi | Special Effects |
Visual Effects | Carlo Rambaldi | Visual Effects |
Art | William James Teegarden | Set Designer |
Sound | Kenneth Hall | Music Editor |
Crew | Bobby Porter | Stunts |
Crew | Felix Silla | Stunts |
Production | Richard Vane | Location Manager |
Production | Bonne Radford | Production Accountant |
Crew | Chuck Waters | Stunts |
Camera | Bruce McBroom | Still Photographer |
Costume & Make-Up | Lola 'Skip' McNalley | Hairstylist |
Production | Jane Goe | Assistant Accountant |
Crew | Bennie E. Dobbins | Stunts |
Sound | Robert Knudson | Sound Re-Recording Mixer |
Sound | Robert Glass | Sound Re-Recording Mixer |
Lighting | James Plannette | Gaffer |
Directing | Daniel Attias | Second Assistant Director |
Sound | Herbert W. Spencer | Orchestrator |
Sound | Louis L. Edemann | Sound Effects Editor |
Sound | Don Digirolamo | Sound Re-Recording Mixer |
Sound | Hank Salerno | ADR Editor |
Directing | Esther Vivante | Script Supervisor |
Crew | Lyla Foggia | Unit Publicist |
Crew | John Feinblatt | Transportation Captain |
Sound | Nicholas Korda | ADR Editor |
Sound | Chuck Neely | Assistant Sound Editor |
Sound | Gene S. Cantamessa | Sound Mixer |
Crew | Fred Lerner | Stunts |
Camera | Bob Munoz | Best Boy Grip |
Camera | Gene Kearney | Key Grip |
Editing | Donah Bassett | Negative Cutter |
Directing | Katy Emde | First Assistant Director |
Camera | Donald L. Hartley | Dolly Grip |
Crew | Ramon Pahoyo | Craft Service |
Editing | Robert Raring | Color Timer |
Art | Russell Goble | Property Master |
Sound | David Pettijohn | Sound Effects Editor |
Editing | Dennis Brookins | Negative Cutter |
Editing | Kathleen Korth | First Assistant Editor |
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