Wounded Civil War soldier, John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
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Directing | Kevin Costner | Director |
Production | Kevin Costner | Producer |
Editing | William Hoy | Editor |
Sound | John Barry | Original Music Composer |
Production | Jake Eberts | Executive Producer |
Production | Elisabeth Leustig | Casting |
Editing | Neil Travis | Editor |
Camera | Dean Semler | Director of Photography |
Writing | Michael Blake | Screenplay |
Production | Jim Wilson | Producer |
Art | Jeffrey Beecroft | Production Design |
Art | Lisa Dean | Set Decoration |
Costume & Make-Up | Elsa Zamparelli | Costume Design |
Editing | Steve Potter | Editor |
Art | William Ladd Skinner | Art Direction |
Costume & Make-Up | Birgitta Bjerke | Costume Supervisor |
Production | Bonnie Arnold | Associate Producer |
Crew | David Siegel | Transportation Coordinator |
Camera | J. Michael Muro | Camera Operator |
Camera | J. Michael Muro | Steadicam Operator |
Crew | John Huneck | Second Unit Cinematographer |
Crew | Kevin Reynolds | Thanks |
Sound | Alicia Stevenson | Foley |
Art | Patrick Cassidy | Leadman |
Crew | Norman Howell | Stunt Coordinator |
Costume & Make-Up | Francisco X. Pérez | Makeup Artist |
Visual Effects | Robert D. Bailey | Visual Effects |
Sound | Jeffrey Perkins | Sound Re-Recording Mixer |
Production | Jory Weitz | Casting |
Production | Rene Haynes | Casting |
Art | Ben Zeller | Construction Coordinator |
Production | Derek Kavanagh | Unit Production Manager |
Crew | Michael J. Harker | Post Production Supervisor |
Camera | Ben Glass | Still Photographer |
Costume & Make-Up | David Atherton | Makeup Artist |
Sound | Tommy Morgan | Additional Soundtrack |
Editing | Chip Masamitsu | Editor |
Crew | Scott A. Stephens | Property Master |
Art | Stephanie Waldron | Greensman |
Sound | Albert Aquino | Boom Operator |
Sound | Robert Fitzgerald | Sound Designer |
Sound | Robert Fitzgerald | Supervising Sound Editor |
Sound | Dan O'Connell | Foley |
Sound | Gregory H. Watkins | Sound Re-Recording Mixer |
Crew | Robbie Knott | Special Effects |
Costume & Make-Up | Barbara Gordon | Set Costumer |
Crew | Wayne Jones | Transportation Co-Captain |
Crew | Jonathan A. Rosenfeld | Transportation Captain |
Sound | Cliff Kohlweck | Music Editor |
Sound | Hari Ryatt | Supervising Sound Editor |
Sound | Bill W. Benton | Sound Re-Recording Mixer |
Costume & Make-Up | Elle Elliott | Hairstylist |
Costume & Make-Up | Tamara Guthrie | Hairstylist |
Costume & Make-Up | Joani Yarbrough | Hairstylist |
Sound | Barbara Barnaby | ADR & Dubbing |
Crew | Philip C. Pfeiffer | Second Unit Cinematographer |
Camera | S. Phillip Sparks | Additional Camera |
Lighting | Víctor Pérez | Gaffer |
Lighting | Marc Wostak | Best Boy Electric |
Directing | Jan Evans | Script Supervisor |
Crew | Peter Haas | Unit Publicist |
Production | John T. Haun | Production Accountant |
Production | Tim Wilson | Location Manager |
Visual Effects | Paul Curley | Visual Effects |
Editing | Robert C. Lusted | Assistant Editor |
Visual Effects | Matthew Yuricich | Visual Effects |
Editing | Mike Stanwick | Color Timer |
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