John Constantine has literally been to Hell and back. When he teams up with a policewoman to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists beneath the landscape of contemporary Los Angeles.
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| Art | Naomi Shohan | Production Design |
| Art | David Lazan | Art Direction |
| Sound | Klaus Badelt | Original Music Composer |
| Production | Denise Chamian | Casting |
| Camera | Philippe Rousselot | Director of Photography |
| Costume & Make-Up | Louise Frogley | Costume Design |
| Crew | Christopher Allen Nelson | Makeup Effects |
| Production | Akiva Goldsman | Producer |
| Visual Effects | Colin Strause | Visual Effects Supervisor |
| Visual Effects | Greg Strause | Visual Effects Supervisor |
| Sound | Brian Tyler | Original Music Composer |
| Sound | Brian Tyler | Conductor |
| Production | Lauren Shuler Donner | Producer |
| Directing | Francis Lawrence | Director |
| Writing | Jamie Delano | Original Story |
| Writing | Garth Ennis | Original Story |
| Writing | Kevin Brodbin | Screenplay |
| Writing | Kevin Brodbin | Story |
| Writing | Frank A. Cappello | Screenplay |
| Production | Michael Uslan | Producer |
| Production | Erwin Stoff | Producer |
| Production | Benjamin Melniker | Producer |
| Production | Lorenzo Di Bonaventura | Producer |
| Production | Gilbert Adler | Executive Producer |
| Production | Michael Aguilar | Executive Producer |
| Production | Cherylanne Martin | Unit Production Manager |
| Production | Cherylanne Martin | Co-Producer |
| Directing | Josh McLaglen | Assistant Director |
| Production | Josh McLaglen | Co-Producer |
| Editing | Wayne Wahrman | Editor |
| Art | Douglas A. Mowat | Set Decoration |
| Art | Robert Fechtman | Assistant Art Director |
| Costume & Make-Up | Barney Burman | Makeup Artist |
| Crew | Kenny Alexander | Stunts |
| Sound | Skip Lievsay | Supervising Sound Editor |
| Sound | Craig Berkey | Sound Effects Editor |
| Crew | Chad Stahelski | Fight Choreographer |
| Writing | Alan Moore | Characters |
| Crew | R. A. Rondell | Stunt Coordinator |
| Production | Matthew J. Birch | Production Supervisor |
| Crew | Randy Bricker | Visual Effects Editor |
| Production | Caitlin McKenna-Wilkinson | ADR Voice Casting |
| Camera | Jeff Cutter | Still Photographer |
| Camera | Jeff Cutter | Additional Photography |
| Art | Jason Sweers | Assistant Art Director |
| Costume & Make-Up | Steve Artmont | Makeup Artist |
| Crew | Casey O'Neill | Stunt Double |
| Crew | Wolfram de Marco | Additional Music |
| Costume & Make-Up | Joel Harlow | Makeup Artist |
| Crew | Susan Hegarty | Dialect Coach |
| Lighting | Brian Crane | Best Boy Electric |
| Sound | Gary Krause | Music Editor |
| Costume & Make-Up | Robin Slater | Makeup Artist |
| Visual Effects | Aaron Cohen | Visual Effects |
| Art | Steven Schwartz | Set Designer |
| Costume & Make-Up | Ve Neill | Makeup Department Head |
| Sound | Stephen Hunter Flick | Sound Effects Editor |
| Sound | Charles Maynes | Sound Designer |
| Costume & Make-Up | Susan Germaine | Hair Department Head |
| Art | Suzan Wexler | Assistant Art Director |
| Production | Scout Masterson | Casting Associate |
| Sound | John Roesch | Foley |
| Writing | Enfys Dickinson | Creative Producer |
| Crew | Ilyse A. Reutlinger | Post Production Supervisor |
| Visual Effects | Anthony Leonardi III | Creature Design |
| Crew | Tim Rigby | Stunts |
| Sound | John Joseph Thomas | Foley Supervisor |
| Lighting | Jack English | Gaffer |
| Costume & Make-Up | Robert Q. Mathews | Costume Supervisor |
| Art | George Hull | Concept Artist |
| Sound | Daryl B. Kell | Music Editor |
| Sound | Patricio A. Libenson | Sound Effects Editor |
| Sound | David E. Campbell | Sound Re-Recording Mixer |
| Sound | Gregg Rudloff | Sound Re-Recording Mixer |
| Sound | John T. Reitz | Sound Re-Recording Mixer |
| Sound | Joe Lisanti | Music Editor |
| Crew | Brooks Baldwin | Dialect Coach |
| Art | Cuitlahuac Morales Velazquez | Sculptor |
| Art | Andrew M. Siegel | Assistant Property Master |
| Crew | Allen Hall | Special Effects Coordinator |
| Sound | Michael J. Broomberg | Foley |
| Sound | Michael J. Broomberg | Foley Artist |
| Art | Joe Ondrejko | Construction Coordinator |
| Sound | Susan Dudeck | Dialogue Editor |
| Art | Stan Tropp | Set Designer |
| Sound | Jeremy Peirson | Sound Designer |
| Sound | John P. Fasal | Sound Effects Editor |
| Visual Effects | Ian Hunter | Visual Effects Supervisor |
| Visual Effects | Michael Meagher | Visual Effects Producer |
| Costume & Make-Up | Bob Moore Jr. | Set Costumer |
| Production | Molly Allen | Location Manager |
| Crew | Michael Justus | Utility Stunts |
| Camera | Richard Foreman Jr. | Still Photographer |
| Crew | Craig Lietzke | Picture Car Coordinator |
| Camera | Hans Bjerno | Aerial Director of Photography |
| Art | William J. Law III | Set Designer |
| Costume & Make-Up | Candace Neal | Key Hair Stylist |
| Camera | Neal Norton | Second Unit Director of Photography |
| Editing | Erik Rogers | Digital Intermediate Producer |
| Art | Constantine Sekeris | Conceptual Design |
| Visual Effects | Craig Hayes | Visual Effects Supervisor |
| Visual Effects | Michael L. Fink | Visual Effects Supervisor |
| Directing | Michael L. Fink | Second Unit Director |
| Editing | Nicholas Hasson | Digital Intermediate Editor |
| Visual Effects | Denise Davis | Visual Effects Producer |
| Crew | Judith Jennings | Studio Teachers |
| Art | Charles Kern | Painter |
| Sound | Mark Johnston | Sound Recordist |
| Costume & Make-Up | Ginger Damon | Hairstylist |
| Art | Carla S. Nemec | Art Department Coordinator |
| Art | William Gideon | Construction Foreman |
| Art | Kirk Corwin | Property Master |
| Sound | Ulrika Akander | Dialogue Editor |
| Sound | James Morioka | Sound Effects Editor |
| Sound | Michael J. Benavente | ADR & Dubbing |
| Visual Effects | Simon Allen | Animation Supervisor |
| Crew | Mark Shoaf | CG Supervisor |
| Visual Effects | Greg Juby | Visual Effects Supervisor |
| Visual Effects | David Lingenfelser | Visual Effects Supervisor |
| Visual Effects | Janet Yale | Visual Effects Producer |
| Visual Effects | Jason Heapy | Visual Effects Producer |
| Visual Effects | Amy Hollywood Wixson | Visual Effects Producer |
| Visual Effects | Donna Langston | Visual Effects Producer |
| Visual Effects | Tiffany Smith | Visual Effects Producer |
| Visual Effects | Ann Podlozny | Visual Effects Producer |
| Visual Effects | Demetrius Leal | Visual Development |
| Camera | Timothy Roarke | Camera Operator |
| Camera | Michael-Ryan Fletchall | Camera Operator |
| Camera | Mark La Bonge | Camera Operator |
| Camera | Mark La Bonge | Steadicam Operator |
| Camera | Seth Kotok | Additional Camera |
| Lighting | Jarred Waldron | Gaffer |
| Lighting | Juan Morse | Gaffer |
| Lighting | Dennis J. Lootens | Rigging Gaffer |
| Costume & Make-Up | Marina Marit | Set Costumer |
| Costume & Make-Up | Nancy Smytka | Set Costumer |
| Editing | Gordon Antell | First Assistant Editor |
| Crew | Bernice Culbertson | Transportation Coordinator |
| Crew | Dan Marrow | Transportation Coordinator |
| Production | Kristin Dehnert | Location Manager |
| Production | Douglas S. McClintock II | Location Manager |
| Crew | Paulette Osorio | Unit Publicist |
| Production | Jackie Brady Baugh | Production Accountant |
| Sound | Joel Dougherty | First Assistant Sound Editor |
| Sound | Joe Dorn | ADR Editor |
| Visual Effects | Chuck Duke | Animation |
| Lighting | Howard R. Campbell | Lighting Technician |
| Crew | Randy Goux | Digital Effects Supervisor |
| Sound | Robert Elhai | Orchestrator |
| Sound | Mary Jo Lang | Foley Mixer |
| Costume & Make-Up | Sandra Bojin-Sedlik | Costumer |
| Crew | Lawrence Decker | Special Effects Technician |
| Art | Kent Demaine | Creative Director |
| Visual Effects | Ryan Hopkins | Visual Effects Technical Director |
| Crew | Mike Massa | Stunt Driver |
| Crew | Frank Toro | Pyrotechnician |
| Visual Effects | Mark Edwards | Visual Effects Coordinator |
| Sound | Willie D. Burton | Sound Mixer |
| Production | J. Elizabeth Ingram | Assistant Production Coordinator |
| Lighting | Paul Postal | Electrician |
| Production | Ralph Bertelle | Production Coordinator |
| Production | Dena Berman | Casting Assistant |
| Crew | Raymond Bulinski | Craft Service |
| Lighting | James Babineaux | Assistant Chief Lighting Technician |
| Visual Effects | John Cassella | CG Artist |
| Visual Effects | Nathan Abbot | I/O Supervisor |
| Production | Greg Abbas | Researcher |
| Production | Mark Scoon | Executive In Charge Of Production |
| Camera | Michael Cassidy | First Assistant Camera |
| Lighting | John S. Campbell | Rigging Grip |
| Crew | Eric Putz | Telecine Colorist |
| Visual Effects | Yoshiya Yamada | Modeling |
| Art | Leigh-Alexandra Jacob | Lead Painter |
| Costume & Make-Up | Shane Mahan | Makeup Supervisor |
| Visual Effects | Dan Cayer | Compositing Supervisor |
| Crew | Elizabeth C. Camp | Set Production Assistant |
| Crew | Bobby Mara | Propmaker |
| Camera | Kelly Diehl | Libra Head Technician |
| Art | Joey Genitempo | Set Painter |
| Sound | Sarah Bourgeois | Assistant Sound Editor |
| Art | Harald Belker | Production Illustrator |
| Visual Effects | Jamie Baxter | Matte Painter |
| Crew | Lance Mancuso | Set Medic |
| Crew | Luciano Blotta | Video Assist Operator |
| Art | Rich Andrade | Set Dresser |
| Art | Trevor Goring | Storyboard Artist |
| Editing | Mo Henry | Negative Cutter |
| Camera | Darryl Humber | Dolly Grip |
| Camera | C. Alan Rawlins | Key Grip |
| Visual Effects | Chris Paizis | Matchmove Supervisor |
| Directing | Rick Kelly | Second Assistant Director |
| Art | Lindsey Gary | Art Department Assistant |
| Crew | Daragh Byrne | Carpenter |
| Crew | Robert Lamkin | Chef |
| Crew | Mark Valdez | Driver |
| Crew | Laraine Moniz | Post Production Assistant |
| Crew | Rob McCabe | Stand In |
| Crew | Randy Burke | Transportation Captain |
| Crew | Chad Moore | Transportation Co-Captain |
| Editing | Dave Hussey | Color Timer |
| Lighting | Haskell Friedman | Lighting Artist |
| Production | Brian Brecht | Production Manager |
| Sound | Rob Cunningham | Boom Operator |
| Visual Effects | Jared Rosen | 24 Frame Playback |
| Visual Effects | John R.A. Benson | Digital Compositors |
| Visual Effects | James Reedy | Special Effects Supervisor |
| Visual Effects | Matt Heimlich | Mechanical Designer |
| Costume & Make-Up | Valerie T. O'Brien | Key Costumer |
| Production | Tracy Dixon | Extras Casting |
| Lighting | Robert J. Reilly | Key Rigging Grip |
| Crew | Karin Silvestri | Stunts |
| Sound | Eric Gotthelf | ADR Mixer |
| Visual Effects | Dovi Anderson | Lead Animator |
| Directing | Maria Battle Campbell | Second Second Assistant Director |
| Camera | Riko Schatke | Best Boy Grip |
| Camera | Xiomara Comrie | Assistant Camera |
| Production | Alonzo Ruvalcaba | Head of Production |
| Production | Donald Fly | General Manager |
| Camera | Deborah Thomas | Data Wrangler |
| Production | Vesper Burnett | Extras Casting Assistant |
| Production | Taffy Schweickhardt | Payroll Accountant |
| Production | Michael P. Twombly | Production Secretary |
| Production | Rachel Swenson | Assistant Location Manager |
| Sound | Jeffrey Pollack | Music Consultant |
| Production | Kami Calevro | Second Assistant Accountant |
| Costume & Make-Up | Jamie Rama | Costume Illustrator |
| Art | Paul Luther Jackson | Swing |
| Crew | Pamela Elliott | Special Effects Assistant |
| Visual Effects | Jim Charmatz | Character Designer |
| Editing | Bronwyn Shields | Assistant Editor |
| Production | Kathy Liska | Executive Assistant |
| Production | Michael Lagnese | Key Set Production Assistant |
| Production | Lee Hahn | Production Assistant |
| Visual Effects | Kane Brassington | Rotoscoping Artist |
| Camera | April Kelley | Camera Loader |
| Sound | A Perfect Circle | Music |
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