An Israeli anti-terrorist agent must stop a disgruntled Vietnam vet cooperating in a Black September PLO plot to commit a terrorist attack at the Super Bowl.
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| Directing | John Frankenheimer | Director |
| Writing | Ivan Moffat | Screenplay |
| Writing | Ernest Lehman | Screenplay |
| Writing | Thomas Harris | Novel |
| Writing | Kenneth Ross | Screenplay |
| Sound | John Williams | Original Music Composer |
| Crew | Dick Ziker | Stunts |
| Crew | Jeannie Epper | Stunts |
| Crew | Bob Minor | Stunts |
| Crew | Erik Cord | Stunts |
| Crew | Gene LeBell | Stunts |
| Crew | Glenn R. Wilder | Stunts |
| Crew | Larry Holt | Stunts |
| Costume & Make-Up | Sugar Blymyer | Hair Designer |
| Production | Robert L. Rosen | Executive Producer |
| Production | Alan Levine | Associate Producer |
| Costume & Make-Up | Robert Dawn | Makeup Artist |
| Editing | Tom Rolf | Editor |
| Costume & Make-Up | Brad Wilder | Makeup Artist |
| Costume & Make-Up | Ray Summers | Costume Design |
| Production | Robert Evans | Producer |
| Art | Walter H. Tyler | Art Direction |
| Crew | Bobby Clark | Stunts |
| Production | Lynn Stalmaster | Casting |
| Art | Jerry Wunderlich | Set Decoration |
| Crew | Everett Creach | Stunt Coordinator |
| Crew | Ernest Robinson | Stunt Driver |
| Directing | Charlsie Bryant | Script Supervisor |
| Directing | Marc Monnet | Second Unit Director |
| Sound | Howard Beals | Sound Effects Editor |
| Sound | Herbert W. Spencer | Orchestrator |
| Camera | John A. Alonzo | Director of Photography |
| Production | Jerry Ziesmer | Unit Production Manager |
| Art | Ray Mercer Jr. | Property Master |
| Crew | James W. Gavin | Pilot |
| Directing | Jerry Ziesmer | Assistant Director |
| Directing | Larry Franco | Second Assistant Director |
| Sound | Gene S. Cantamessa | Sound Mixer |
| Sound | June Edgerton | Music Editor |
| Crew | Nick Nickolary | Pilot |
| Sound | John Wilkinson | Sound Re-Recording Mixer |
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