On the eve of World War II, zany heiress Amanda Kelly travels by train to Switzerland. While passing through Germany, she meets a sweet elderly lady, who suddenly vanishes. Distraught, she questions her fellow passengers who claim that the woman was never there. Unsure if it's all in her mind or if there's a more sinister plot afoot, Amanda teams up with photographer Robert Condon to discover the truth.
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| Directing | Anthony Page | Director |
| Camera | Douglas Slocombe | Director of Photography |
| Sound | Richard Hartley | Original Music Composer |
| Writing | Ethel Lina White | Novel |
| Production | Tom Sachs | Producer |
| Production | Alex Winitsky | Executive Producer |
| Production | Irene Lamb | Casting |
| Art | Wilfred Shingleton | Production Design |
| Art | William Alexander | Art Direction |
| Production | Allan Foenander | Casting |
| Production | Michael Carreras | Executive Producer |
| Production | Arlene Sellers | Executive Producer |
| Writing | George Axelrod | Screenplay |
| Editing | Russell Lloyd | Editor |
| Costume & Make-Up | Emma Porteous | Costume Design |
| Camera | David Wynn-Jones | First Assistant Camera |
| Costume & Make-Up | Neville Smallwood | Makeup Supervisor |
| Production | Nick Gillott | Production Supervisor |
| Directing | Kay Rawlings | Continuity |
| Sound | Philip Martell | Music Director |
| Production | Dusty Symonds | Location Manager |
| Production | Christian Jungbluth | Location Manager |
| Production | Albert Schwinges | Production Supervisor |
| Sound | Alfred Cox | Sound Editor |
| Sound | Peter Handford | Sound Mixer |
| Costume & Make-Up | Stephanie Kaye | Hair Department Head |
| Directing | Michael Mertineit | Assistant Director |
| Costume & Make-Up | Jackie Cummins | Wardrobe Supervisor |
| Camera | Chic Waterson | Camera Operator |
| Directing | Michael Dryhurst | Assistant Director |
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