Kate is secretly betrothed to a struggling journalist, Merton Densher. But she knows her Aunt Maude will never approve of the match, since Kate's deceased mother has lost all her money in a marriage to a degenerate opium addict. When Kate meets a terminally ill American heiress named Millie traveling through Europe, she comes up with a conniving plan to have both love and wealth.
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| Directing | Iain Softley | Director |
| Costume & Make-Up | Sandy Powell | Costume Design |
| Art | Bill Hargreaves | Props |
| Writing | Hossein Amini | Screenplay |
| Art | Ray Chan | Assistant Art Director |
| Writing | Henry James | Novel |
| Sound | Edward Shearmur | Original Music Composer |
| Sound | Steve Schwalbe | ADR Editor |
| Sound | Paula Boram | Foley Artist |
| Sound | Lauren Potter | Foley Artist |
| Editing | Tariq Anwar | Editor |
| Production | Michelle Guish | Casting |
| Art | John Beard | Production Design |
| Art | Joanne Woollard | Set Decoration |
| Art | Martyn John | Art Direction |
| Art | Andrew Sanders | Supervising Art Director |
| Art | Barry Gibbs | Property Master |
| Directing | Anna Worley | Script Supervisor |
| Sound | Becky Bentham | Music Supervisor |
| Sound | Maggie Rodford | Music Supervisor |
| Production | Suzanne Smith Crowley | Casting |
| Production | Kerry Barden | Casting |
| Production | Billy Hopkins | Casting |
| Sound | Dean Humphreys | Sound Re-Recording Mixer |
| Sound | Dominic Lester | Sound Re-Recording Mixer |
| Sound | Robin O'Donoghue | Sound Re-Recording Mixer |
| Sound | Ed Colyer | Foley Mixer |
| Camera | Eduardo Serra | Director of Photography |
| Crew | Stephen McLaughlin | Score Engineer |
| Production | Mark Cooper | Line Producer |
| Production | Stephen Evans | Producer |
| Production | Paul Feldsher | Executive Producer |
| Production | Bob Weinstein | Executive Producer |
| Production | Harvey Weinstein | Executive Producer |
| Production | David Parfitt | Producer |
| Production | Caroline Wood | Associate Producer |
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