The body of a young actress is brought to her home town by the man who loved her. He knows that she wanted all the church bells to ring for three days after she was buried, but is told that this will cost a lot of money. The checks that he writes to the various churches all bounce, but it is the weekend and, in desperation, he prays that a miracle will happen before the banks reopen. It does, but not in the way he hoped.
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| Directing | Irving Pichel | Director |
| Writing | Ben Hecht | Screenplay |
| Writing | Quentin Reynolds | Screenplay |
| Writing | Sammy Cahn | Lyricist |
| Sound | Jule Styne | Songs |
| Production | Fred Fleck | Production Manager |
| Costume & Make-Up | Karl Herlinger | Makeup Artist |
| Camera | Charles Burke | Camera Operator |
| Costume & Make-Up | Annabell Levy | Hairstylist |
| Camera | Ralph Wildman | Grip |
| Art | Ralph Berger | Art Direction |
| Crew | Russell A. Cully | Special Effects |
| Camera | Robert De Grasse | Director of Photography |
| Production | Jesse Lasky Jr. | Producer |
| Art | Albert S. D'Agostino | Art Direction |
| Production | Walter MacEwen | Producer |
| Editing | Elmo Williams | Editor |
| Sound | Clem Portman | Sound |
| Crew | Clifford Stine | Special Effects |
| Crew | DeWitt Bodeen | Additional Dialogue |
| Directing | Joan Davis | Script Supervisor |
| Writing | Russell Janney | Novel |
| Sound | Leigh Harline | Original Music Composer |
| Art | Darrell Silvera | Set Decoration |
| Camera | Rod Tolmie | Still Photographer |
| Art | Harley Miller | Set Decoration |
| Crew | Charles O'Curran | Choreographer |
| Directing | Julia Marcia Davies | Script Supervisor |
| Directing | Harry D'Arcy | Assistant Director |
| Sound | Philip Mitchell | Sound |
| Sound | C. Bakaleinikoff | Music Director |
| Costume & Make-Up | Gordon Bau | Makeup Supervisor |
| Costume & Make-Up | Renié | Costume Design |
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