In 1920s Chicago, Italian immigrant and notorious thug, Antonio "Tony" Camonte, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.
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Production | Howard Hughes | Producer |
Writing | Ben Hecht | Screenplay |
Writing | Armitage Trail | Novel |
Directing | Howard Hawks | Director |
Production | Howard Hawks | Producer |
Sound | William Snyder | Sound Engineer |
Editing | Edward Curtiss | Editor |
Camera | Lee Garmes | Director of Photography |
Crew | Howard Hawks | Additional Writing |
Editing | Lewis Milestone | Additional Editing |
Production | Charles Stallings | Production Manager |
Editing | Douglass Biggs | Editorial Services |
Camera | Eugene Kornman | Still Photographer |
Camera | Warren Lynch | Camera Operator |
Writing | Seton I. Miller | Dialogue |
Writing | W.R. Burnett | Dialogue |
Writing | John Lee Mahin | Dialogue |
Sound | Gus Arnheim | Music Director |
Art | Harry Oliver | Set Decoration |
Sound | Adolph Tandler | Original Music Composer |
Crew | Howard A. Anderson | Stunts |
Crew | Howard Hughes | Presenter |
Directing | John Lee Mahin | Continuity |
Sound | Adolph Tandler | Music Director |
Camera | Warner Cruze | First Assistant Camera |
Directing | W.R. Burnett | Continuity |
Directing | Seton I. Miller | Continuity |
Camera | Charles Bohny | First Assistant Camera |
Directing | Richard Rosson | Co-Director |
Camera | Roy Clark | Camera Operator |
Camera | L. William O'Connell | Director of Photography |
Crew | Sailor Vincent | Stunts |
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